Black Metal

And so the battle continues with Aamongandr, SATANIC WARMASTER’s first studio full-length since 2014’s acclaimed Fimbulwinter. Indeed, where that album evinced a diversity of songcraft and, more so, a concertedly polished aspect that majestically made that obsidian gleam, Aamongandr explores that duality with equally compelling results. In fact, with the album wasting no time in kicking into high gear, SATANIC WARMASTER sounds more urgent than ever – and yet, here is where the band’s epic side is also revealed in full. Cryogenic and caressing is its melodicism, in the glare of burning churches, and deftly dusted with subtle synths that heighten the mysticism at the heart of the SW sound, Aamongandr’s six songs charge forth with the grim grandiosity of mighty steeds; not for nothing is one of the album’s highlights titled “Duke’s Ride (Ride of the Spectral Hooves).” All told, this sixth long-form statement of intent is immediately recognizable as SATANIC WARMASTER but irrevocably proves that its creator’s imagination continues to flow as infinitely as the Atlantean depths.

Black Metal

3 tracks CD single for total running time of about 15min taken from the upcoming Satanic Warmaster album!

Black Metal

Recorded live at Bushbash, Koiwa, Tokyo Japan, Oct 31st. 2014

Black Metal

For the past 24 years, SATANIC WARMASTER has remained a highly revered name in the black metal underground: seemingly doing no wrong with converts, but forever riling detractors. Helmed by the tyrant Werwolf – whose involved in the black metal scene stretches back 20-some years, as the original vocalist of Horna – SATANIC WARMASTER have released classic album after classic album, from early essentials like Strength and Honour and Opferblut to relatively more recent monuments like Carelian Satanist Madness and Nachzehrer, and always at their own pace.

Black Metal

SHATARGAT compilation of the Crushing The Thrones Of Light (Demo 1996) and Wolfe Der Nacht (Demo 1999) tapes.

Black Metal

Truly, the evidence is there with SORGETID’s first public recording, the full-length Natt av Tusen Dödsfall. Endearingly and engagingly familiar yet done with the deft nous for which V-Khaoz is known, SORGETID’s first salvo is based purely on intuition and the man’s need “to get quite old stuff out of my head – no future, no past.” Existing within those reverently stringent boundaries, Natt av Tusen Dödsfall unveils a landscape rife with melancholy and madness, nostalgia and nightsky mysticism, fury and wonder woven together with elder chainmail forged in the fires of olde. Eight songs across 37 minutes are more than sufficient to paint the atmospheres and sensations that seemingly exist out of time. The album’s no less raw nor polished than it needs to be; rather, it IS, unyielding and undying.