Black Metal

Dripping Papal Blood is the secret unreleased second demo recorded a decade ago in 2010, in the band’s now shuttered ‘the prisoner’s chant…’ studio which rested at ground level across from the oldest cemetery in new york and rumored to be haunted.

Black Metal

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. Napoleon’s coronation—the Anti-Christ’s ascent—left the earth damp with the crimson blood of elitism.

Black Metal

With their second album, “Satan Soldier of Fortune”, Departure Chandelier weave in reverse order the process of Napoleonic battlefield cleanup against self-coronation and the emperor’s ascent to deity whom profited off the fallen of both sides. While the dying are stripped naked to fertilize the countryside, boots and teeth are hurriedly taken for sale in Paris. Blood soaked coins fill the grave robber’s purse, the jangling song heard all the way to Notre Dame. Against the backdrop of the throne Illuminated by the bivouac fires, fallen men, horses and cannon wagons churn like twisted celtic knots across the sea of the battlefield as the coronation begins. Dressed in the gown of swarming Merovingian bees, a wreath of laurel arched above his skull, the Regent diamond flashes in the hilt of the Antichrist’s saber encrusted on the gold scepter – rising in his hand, yet unable to support the weight of Charlemagne’s crown. What is dark if Lucifer’s light? Compositionally wild but rich in melody, the band’s unique combination of perched guitars and impending choral keyboards beneath raw unhinged vocals spearheading lyrics of existential rebellion captures the necro sound of old French black metal. The arrangements are shorn of needless complexity, yet greater than the sum of their parts purportedly recorded on the same 4-track with the old distortions and synths used on ‘Antichrist Rise To Power’ now immortalized on their Occult Anti-quities imprint. Indeed, nearly five years in the making, Their Death Is Alive Again!

Black Metal

Funeral Winds formed in 1991 as a trio composed of Hellchrist Xul (guitars/vocals), Gorgoroth (vocals), and Esteban (drums). Along with Bestial Summoning, which was founded approximately one year earlier, Funeral Winds was among the earliest of black metal bands to emerge from the Netherlands, and its activity through to the present day makes it one of the most significant in the country’s history. Given the era of the band’s formative years and its relative proximity to Norway, it is not surprising that Funeral Winds played in a style similar to that of the more well-known Norse bands like Mayhem and Gorgoroth. Prior to the release of its debut album, “Godslayer Xul,” in 1998, Funeral Winds recorded three demos, an EP, and a split CD with Abigail. These early recordings were later reissued by two different labels on two separate compilations entitled “Screaming for Resurrection…” and “The Unheavenly Saviour” in 2004 and 2019, respectively. These collections are hereby resurrected on vinyl by Nuclear War Now!, a few months after first being made available on cassette by the same label. “The Unheavenly Saviour” compiles the first two demos (“Rehearsal 1992” and “La Majeste Infernable”), a live track, and an unreleased studio track from 1995 on a single LP. The “Screaming for Resurrection…” DLP consists of the third demo, “Resurrection…,” the “Thy Eternal Flame” EP, and the tracks from the split release with Abigail.

Black Metal

PAIMON GATE’s debut album – BUTCHER TO THE DEVIL’S COURT expands upon the groundwork laid out in the SEVEN LEGIONS demo released last year from this new American Black Metal cult. For fans of brutal Black Metal from a time long lost, the tapestry of influences that make up this work may be noticed via the likes of DEMONCY, VON, old IMPALED NAZARENE, old MARDUK, old SAMAEL and MORBID ANGEL. From a time when the lines between Death Metal and Black Metal were blurred and the potency of dark Satanic music was the focus – PAIMON GATE’s debut album delivers 30 minutes of scathing Satanic work – Executed with an honest and sincere dedication to the evil art of black metal music.

Black Metal

A storm from the east threatens to burst the united efforts of the Western Confederacy. In silent half crescent formation, Little Turtle and Blue Jacket command their military forces to the greatest indigenous victory in history!

Black Metal

This slab of occult metal has been conjured by the mind of Deathwalker (Nihil Invocation, USA) and derives its influence from bass-driven, black metal cults such as Barathrum, Ride for Revenge, Perverted Ceremony, Demoncy, etc. Originally a 1 piece project, Deathwalker has welcomed help from his homelands & Russian tundra along the path.

Tracks 1-5: “Forbidden Doctrine of the Youthful Gate” demo (2019)
Tracks 6-11: “Shade of Darkness Casting…” demo (2020)

Black Metal

This slab of occult metal has been conjured by the mind of Deathwalker (Nihil Invocation, USA) and derives its influence from bass-driven, black metal cults such as Barathrum, Ride for Revenge, Perverted Ceremony, Demoncy, etc. Originally a 1 piece project, Deathwalker has welcomed help from his homelands & Russian tundra along the path.

Tracks 1-6: “Witchdance Rising” demo (2019)
Tracks 7-11: “If None Will Call the Devil’s Blood…” demo (2019)

Black Metal

Finland’s WITCHCRAFT have spent the past decade unleashing a series of demos and splits that feature some of the most diabolical black and death metal to emerge in years. In the vein of legends such as BEHERIT, BLASPHEMY and BARATHRUM, WITCHCRAFT play raw, bestial black metal with a total devotion to darkness, from the uncompromising brutality of their music to the necrotic quality of the recordings themselves. NWN! Productions is proud to present “Bestial Vociferation,” a compilation of previously unreleased rehearsal and demo recordings from 2015-2018. These tracks display an unnerving ferocity from a band who does not simply mimic their influences but injects a manic intensity into the music that makes them worthy successors to the aforementioned hordes. The vocals are exceptionally barbaric, adding a thick layer of cruelty to the already violent atmosphere inherent in the music. The occasional moan of funereal organ further enhances the aura of pure evil, solidifying WITCHCRAFT’s status as one of the most devastating bestial black metal bands today. Featuring tracks from the rehearsals “Necro Molestation,” “Nightmare Goetia,” “Walpurgisatanacht” as well as two demo tracks, “Bestial Vociferation” is a document of a group who truly comprehends the infernal nature of their medium.

Black Metal

Two of Finland’s black metal hordes unite to compile and recite “Dead Christ Prayer,” an eight-track split release that represents both the country’s unique tradition and its future. Witchcraft, whose style pays reverence in no subtle way to the great Beherit, returns to expand its imprint and demonstrate its continued adherence to the unrefined bestiality that its primary inspiration pioneered thirty years ago. Its co-conspirators in Aske first inhabited the same time and space as Beherit, but then began an eighteen-year hiatus in 1998, returning in 2016 to embark on a second blasphemous stint of new recordings, which have culminated in this effort. “Dead Christ Prayer” thus presides over the exsanguination of the lifeless body of the false savior and the ensuing transfusion ritual, combining the old blood of Aske with the new blood of Witchcraft to perpetuate the cycle of evil.