Black Metal

GEISTAZ’ IKA are a shadowy entity hailing from Denmark’s revitalized (and rising) black metal underground.

Hailing from Denmark’s revitalized (and rising) black metal underground, the shadowy entity known as Geistaz’ika revealed their first public recording, Trolddomsejd i skovens dybe kedel, at the very end of 2018, but only digitally. So impressed by its windswept wonder, Signal Rex eagerly stepped forward to release this debut album unto the worldwide stage less than a year later.

Black Metal

GEISTAZ’ IKA are a shadowy entity hailing from Denmark’s revitalized (and rising) black metal underground. The band revealed their first public recording, Trolddomsejd i skovens dybe kedel, at the very end of 2018, but only digitally. So impressed by its windswept wonder, SIGNAL REX eagerly stepped forward to release this debut album unto the worldwide stage.

Black Metal

Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.

NOTE: Pre-order – Sent on 09/26/2025

Black Metal

Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.

NOTE: Pre-order – Sent on 09/26/2025

Black Metal

One of the most notorious names in the still-thriving Finnish black metal scene, GOATMOON has been an uber-prolific force of iron will since the band’s creation in 2002, all guided by the monomaniacal hand of BlackGoat Gravedesecrator. The band’s earliest efforts were extremely raw and punk-oriented, but it was with 2007’s Finnish Steel Stormwhere GOATMOON truly came into its own, exhibiting a sense of refinement rarely heard in such hateful-yet-epic black metal whilst retaining its core identity, and a title by which BlackGoat Gravedesecrator has fulfilled on all successive recordings. Of them, the subsequent third and fourth albums – 2011’s Varjotand 2014’s Voitto tai Valhalla, respectively – saw GOATMOON continue that refinement with equally compelling results, and in the process garner a more fanatic fanbase…and further infamy.

Black Metal

In 2017, GOATMOON truly etched its name its Finnish black metal legendry with Stella Polaris, a monument of cosmic, snow-capped majesty. The entirely dungeon synth Silver Serpent followed in 2021, but now arrives GOATMOON’s full-length return to black metal with What Once Was… Shall Be Again. As presaged by its title, there’s an undeniably yearning and nostalgic aspect to the band’s characteristically epic ruminations, occasionally/often dusted by folkloric synths. But if one were to assume that What Once Was… Shall Be Again would further continue that refinement – and indeed, in large part, it does – the album equally takes GOATMOON back to their earliest, rawest roots, here temped by the steely-eyed austerity of older age and wisdom. It’s a skillful balance pulled off with aplomb, proving that the band honor their history but rarely repeat themselves. And more than anything, it provides another dazzling new canvas on which warriors and dreamers can explore…but no safe spaces here, of course. No other words necessary: What Once Was… Shall Be Again!

Black Metal

After over 20 years, we are proud to offer a dark jewel from the Werewolf records vault: The unreleased, and at the time harshly refused and then abandoned original recording of the first Goatmoon album. As with the finest of wines, the material on the master cassette and the original versions of the songs ripened during the decades, and are now finally damned for a release.

Black Metal

Long an infamous name in underground circles, GOATVULVA formed in Finland in 1989 as a solo-project/side-distraction. With the band’s creations booze-fueled and spur-of-the-moment, many recordings are rumored to exist, and dates of release are entirely speculative. However, it is with absolute authority that the legendary Blasphemous Sexfago demo came first, in 1990 – and fittingly so, its title furthering the inspiration/influence of Sarcofago’s earliest (and best) works, and in effect serving as a secondary inspiration/influence for later legions delving into the deepest recesses of the bestial arts. That same year next brought Rehearsal ’90, with a flurry of demos following the next few years: chronologically Baphometal, Capella, Crucifixus, and Erotic Worship, the first- and last-named also serving as unwitting influences many years later for those wishing to explore the gutter of bestial/experimental black-noise morbidity.

Wasting no time with this enviable momentum, GRABUNHOLD return little more than a year later with more medieval madness: Heldentod, their full-length debut. Just as spellbinding as the preceding EP but even more expansive, Heldentod immediately creates a compelling canvas that’s simultaneously tied to tradition and pushing that tradition further. Its songwriting and attendant soundfield suggest strong second-wave vibes – silent citadels, sequestered keeps, dark dungeons – but never whiff of retro posturing or ham-fisted revisionism; rather, their invocation runs parallel to the Old Ways, fluently speaking the ancient dialect instead of stunted pidgin. In other, more telling ways, Heldentod strikes upon braver and less-travelled territory, bristling with a sparkling sort of production that’s palatable in its almost-crystalline sheen and befitting the album’s contents. Here, GRABUNHOLD maintain a more solemn aspect – more “pagan,” if you will – that’s given spectral flight through cascading melodicism and an integration of choral vocals, perhaps most stirringly encapsulated in the Spartan hymn “Trommeln in der Tiefe.” Elsewhere, the fire of old burns hotter than ever, with the band’s bravado amplified by the powerful ‘n’ pro production.