Black Metal

One of the most notorious names in the still-thriving Finnish black metal scene, GOATMOON has been an uber-prolific force of iron will since the band’s creation in 2002, all guided by the monomaniacal hand of BlackGoat Gravedesecrator. The band’s earliest efforts were extremely raw and punk-oriented, but it was with 2007’s Finnish Steel Stormwhere GOATMOON truly came into its own, exhibiting a sense of refinement rarely heard in such hateful-yet-epic black metal whilst retaining its core identity, and a title by which BlackGoat Gravedesecrator has fulfilled on all successive recordings. Of them, the subsequent third and fourth albums – 2011’s Varjotand 2014’s Voitto tai Valhalla, respectively – saw GOATMOON continue that refinement with equally compelling results, and in the process garner a more fanatic fanbase…and further infamy.

Black Metal

In 2017, GOATMOON truly etched its name its Finnish black metal legendry with Stella Polaris, a monument of cosmic, snow-capped majesty. The entirely dungeon synth Silver Serpent followed in 2021, but now arrives GOATMOON’s full-length return to black metal with What Once Was… Shall Be Again. As presaged by its title, there’s an undeniably yearning and nostalgic aspect to the band’s characteristically epic ruminations, occasionally/often dusted by folkloric synths. But if one were to assume that What Once Was… Shall Be Again would further continue that refinement – and indeed, in large part, it does – the album equally takes GOATMOON back to their earliest, rawest roots, here temped by the steely-eyed austerity of older age and wisdom. It’s a skillful balance pulled off with aplomb, proving that the band honor their history but rarely repeat themselves. And more than anything, it provides another dazzling new canvas on which warriors and dreamers can explore…but no safe spaces here, of course. No other words necessary: What Once Was… Shall Be Again!

Black Metal

On the threshold of the coming Ragnarok, Graveland comes to you armed with a new full-length album, with music that was created from the ashes of past battles. The new songs that revived like a phoenix from legends and myths and the most epic Graveland works such as “Thousand Swords” are a continuation of this style of the band. Epic Pagan Metal! Here’s the music to prepare you for Ragnarok! Music from the beginning of the history of Graveland, when it was recorded in a full line-up! A sword, arrow and spear held in a strong hand, hardened in sweat, blood and battle. “Hour of Ragnarok” was forged by a three-person line-up.

Black Metal

Official reissue in limited edition LP of the cult full length originally released in 1996 with restored layout and remastered audio, specifically for LP. With members of Bishop of Hexen, Grimoire has signed the underground scene with their only full-length, nowadays almost impossible to find.
9 tracks of Melodic Romantic Black Metal finally available properly on wax!

RED MARBLE LP, Lim. 100 copies

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick professionally printed thick INSERT.

Black Metal

GRYFTIGÆN returns after the shattering of peace and light with the Debut LP “Graven Til Måneåpenbaringer” that was delivered by Inferna Profundus Records. A new Full-Length embodiment of aggression and carnage. “Fehunðyrdauðr” offers seven tracks of soulless and raw black metal that parallels the sounds of true death and decay. Ferocious growling vocals that are solidified into the mortal existence with hypnotic and voided atmospheres. GRYFTIGÆN bestows unholy and dark afflictions on this piece of Raw Black Metal hatred.

Black Metal

Gryftigæn is consecrated in anno 2019 by “Lord Valtgryftåke” Guitars/Lyrics/Vocals. Subsequently be part “Lord Nbl Dmn III” Drums/Percussions. Through different magical sounds and spectral vibrations what characterizes as “Oneiric Nigredo” the magical articulation of this muziek is crystallized and channeled through the empyrical prisms of the Death worship-Black sorcery & Privitivism. This entity revives the ancient legacy of the 90´s dark ages in the witchcraft path, the essence is to embody itself as the sacralical acts of reverberation and the poisonous enchantment of Man. The name “Gryftigæn” consists of two ancient words fragmented from the Poisonous that is described in Germanic texts and ancient words from Proto-escandinavian themes referred to “Place of rest or Buried