Black Metal

It was but November 2018 when MORGAL fully burst onto the international scene with their self-titled EP for WEREWOLF. At the time, two of their members were not yet even into their 20s, which perhaps explains the exceptionally foul electricity coursing through the 15 shock & awe minutes of Morgal. And despite that young age, MORGAL brazenly exuded the ageless wisdom of true black METAL – so ageless, in fact, that you’d be forgiven for mistaking that EP as the work of very old men. Alas, Morgal was hailed far and wide by all who heard it, and the fever pitch for their true debut album has only grown in intensity.

Black Metal

Classic album from 1997 available again on LP!

Masterpiece of Norwegian Black Metal

Black Metal

For those who’ve lurked within the black metal underground for the past two decades (or even longer), the name MORRIGAN should be more than familiar. As Mayhemic Truth from 1992-2000, the band released a steady stream of demos that bowed before the ancient altar of the almighty Bathory. The shimmering darkness that Mayhemic Truth created back then was an untrendy counterpoint to black metal’s increasingly mainstream aspirations during that period, and also served as an oft-overlooked pillar of Germany’s black metal underground. However, when the band changed their moniker to MORRIGAN at the dawn of the new millennium and released their debut album, Plague, Waste and Death, in 2001, changes were afoot – and they were grand. For the rest of the ensuing decade, MORRIGAN moved on from Bathory’s more hard-charging style into the glorious “Viking era” marked most poignantly by the dual classics of Hammerheart and Twilight of the Gods. Their exploration of Quorthon’s pagan ruminations soon became an almost parallel realm of unrecorded Viking Bathory work, both sincerely devoted to those twin tomes and simultaneously expanding upon them, the latter largely through the exploration of Celtic mythology. In short, this was the true sound of MORRIGAN, and they quietly led others into new-yet-old pagan vastlands.

Black Metal

For those who’ve lurked within the black metal underground for the past two decades (or even longer), the name MORRIGAN should be more than familiar. As Mayhemic Truth from 1992-2000, the band released a steady stream of demos that bowed before the ancient altar of the almighty Bathory. The shimmering darkness that Mayhemic Truth created back then was an untrendy counterpoint to black metal’s increasingly mainstream aspirations during that period, and also served as an oft-overlooked pillar of Germany’s black metal underground. However, when the band changed their moniker to MORRIGAN at the dawn of the new millennium and released their debut album, Plague, Waste and Death, in 2001, changes were afoot – and they were grand. For the rest of the ensuing decade, MORRIGAN moved on from Bathory’s more hard-charging style into the glorious “Viking era” marked most poignantly by the dual classics of Hammerheart and Twilight of the Gods. Their exploration of Quorthon’s pagan ruminations soon became an almost parallel realm of unrecorded Viking Bathory work, both sincerely devoted to those twin tomes and simultaneously expanding upon them, the latter largely through the exploration of Celtic mythology. In short, this was the true sound of MORRIGAN, and they quietly led others into new-yet-old pagan vastlands.

Black Metal

5th Album by french black metal band MORTIFERA. “This opus was first recorded in 2016, but we decided to abandon everything as the outcome was not suitable to our ambitions. Reduced to the core of two members Mortifera then took life again and granted “Ecclesiae Mortii” a late reinforced structure and an improved recording, finally achieving the sound that depicts our primordial vision for this chapter.”

Black Metal

French Black Metal Classic- Reissue on Picture 12″ Vinyl

Dungeon Synth

Live at The Transmission, San Francisco, November 12, 1997.

Black Metal

Raw melodic Black Metal from Greece, debut album.
LP version presented with a double side printed foldover cover, hand numbered and limited to 100.