Black Metal

A band literally out of time, ORGREL hail from Italy and, more importantly, hail the ancient days of black metal – the days too often forgotten, in the late ’90s, when labels like Solistitium, Sombre, and Drakkar began releasing obsidian gems during the genre’s post-sensationalism fallout. Rich with righteous fury and triumph alike, the power-trio deliver their first public recording, the full-length Red Dragon’s Invocation. Immediately, mystical splendor and dizzying delirium are felt as ORGREL kick in with an impassioned surge, each and every riff, rhythm, and holler stirring bloodlust and wonder/wander simultaneously. The soundfield is studiously raw yet robust, flat but somehow full, allowing aggression and atmosphere equal reign, and engrossing the listener to the very last: indeed, Red Dragon’s Invocation is summarily titled. Its mysteries are starkly simple but exceedingly sublime, being purely and totally BLACK METAL in word and deed; black metal doesn’t need to “become” anything when it already IS. ORGREL know this intrinsic truth and pursue it to the hilt across their debut album.

Graced with absolutely stunning cover artwork by Luciana Nedelea, ORGREL raise their sword of truth and prepare to strike unbelievers with Red Dragon’s Invocation.

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!

Black Metal

The new full-length of Orgy of Carrion.

Raw Satanic Black Metal from USA.

Black Metal

Repress on Transparent vinyl with black smoke.

Black Metal

Ostots returns with Madarikazioa (The Curse), taking the Ostots sound to a new level. Following the same path of Lainoak Estaltzen Duena & Hilda Jaio tracks (from the split LP with Gaua), this record displays an ever growing musicianship, with denser compositions and a more powerful sound, but maintaining the core essence of Ostots sound and soul. Dark atmospheric Black Metal, evoking old fears, storms and the night…

Transparent blue with black smoke vinyl, with reverse board print jackets + insert,

Black Metal

The full-length from 2015 available on LP.

Black Metal

Altare proudly presents the musical alliance between Ostots and Gaua. In their own characteristic sound, both bands display the same essence and spirit against the modern world.
Black vinyl (45 rpm), comes with a 4 page insert.

Black Metal

Pa Vesh En is a master of raw black metal, creating haunting and harrowing soundscapes that envelop the listener in a fog of terror and despair. His music is a blend of distorted tremolos, thunderous percussion, anguished shrieks, and dark ambient textures that evoke a sense of dread and isolation. His previous releases, such as Pyrefication, Maniac Manifest, and Martyrs, have received critical acclaim for their atmospheric and experimental approach to the genre, as well as their sophisticated use of noise and effects.
“Catacombs” is not a mere rehash of old material, but a new perspective on Pa Vesh En’s discography that will appeal to both fans and newcomers alike. It is a testament to the power and beauty of raw black metal, as well as the talent and vision of one of its most prolific and mysterious practitioners. Do not miss this chance to explore the depths of Pa Vesh En’s Catacombs, where darkness reigns supreme.

Death Metal

Originally released in 1992 by a very young OSMOSE, at the beginning of what many hold as the label’s “classic years,” PAN-THY-MONIUM was formed by scene legend Dan Swanö (Edge of Sanity, Nightingale, Bloodbath) and members of Ophthalamia to indulge in – and push ever further – the most bizarre and avant-garde boundaries of death metal. An opening track that’s over 20 minutes long, saxophone freakouts, wordless vocals, constantly shape-shifting song structures full of swampy riffing and careening blastbeats…everything but the kitchen sink goes into Dawn of Dreams. Although it caused confusion upon its original release, the album later became a cult classic with my underground fanatics and other weirdos, especially fans of Swanö’s vast body of work. Experience it again (or for the first time) and blow your mind!

300 x A-side/B-side – opaque gold/opaque yellow 12″ (140g) in a microtene innerbag, printed innersleeve on 220g, jacket full-color on 350g, all assembled in a PVC overbag.

Black Metal

Few active bands embody the authentic spirit of black metal as convincingly as Belgium’s Perverted Ceremony. Beginning with its 2016 “Demo I” and later punctuated in 2017 with the debut full-length, “Sabbat of Behezaël,” Perverted Ceremony has proven that the most effective music in this subgenre is that which emphasizes an aura of vileness and evil over the sterility that often results from modern recording and production techniques. It is in part this approach that has led to comparisons between Perverted Ceremony and some of the most respected names in black metal, with a particular resemblance to the Finnish tradition promulgated by such revered cults as Beherit and Barathrum. Although such high praise would be expected from the label charged with releasing the band’s work, it is substantiated by the fact that both the demo and album have already sold out multiple pressings over the course of the past year.

Black Metal

A mere matter of months since it released its first official recording, “Demo I,” Perverted Ceremony returns with its uniquely abominable variety of black metal, hereby presenting its debut full-length album, “Sabbat of Behezaël,” under the very same banner of Nuclear War Now! First discovered by NWN! through the time-honored underground tradition of the band spreading self-produced cassettes to a limited number of contacts, Perverted Ceremony’s music reflects the same authenticity and dedication to their craft as their original manner of clandestine distribution. Although the band lists such revered acts as Demoncy, Mystifier, Von, Blasphemy, Profanatica, Archgoat, and Beherit, as their primary influences, their sound tends to gravitate somewhat more towards the latter two (along with Barathrum), who represent the Finnish tradition of bestial black metal. That said, Perverted Ceremony’s style is not easily compartmentalized according to their influences. On the contrary, with their distinctive approach to songwriting, production, and atmosphere, they have achieved a ritualistic blend of black metal that is unique unto itself. Additionally, Perverted Ceremony has proven with this album that the work recorded on its demo, which was already impressive in its own right, was only a snapshot in the band’s development, and one which has now been superseded.