Majestic Black Metal

Finally available for the first time on LP, originally recorded in 1999.

With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with SALVIA GREEN FLOOD, SALVIA GREEN PANTONE and UV SPOT.
Includes a professionally printed thick INSERT.

Majestic Black Metal

Finally available again on LP and A5 DIGI-CD, originally released in 1998.

With a fully restored layout, including handwritten lyrics (correct ones!) and totally re-mastered for CD.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

This is the only OFFICIAL version. Avoid cheap bootlegs!

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special BLOOD RED FLOOD , BLOOD RED PANTONE, UV SPOT, thick special INSERT + thick A2 POSTER.

Black Metal

Raw psychotic Black Metal from the Perverse Homage circle. This LP compilation features the long time sold out demos “Demo I” (Lp version originally released by Skjold) and “s/t” (LP version originally released by Goatowarex).

Comes with an insert and a double sided A2 poster.

Black Metal

For those who’ve lurked within the black metal underground since the late ’90s, the name BURNING WINDS should carry the cultest cachet. Formed in 1997, the band is the sole creative province of one NecroDan, hailing from the American wasteland of Michigan, which unbirthed such foul entities as Masochist, SUMMON, and Wind of the Black Mountains. BURNING WINDS are very much of this sonic lineage, defiantly utilizing the ugliest, most primitive black metal in the most unorthodox of ways. For many, the band first came to attention / infamy via Paul Ledney’s extremely short-lived Necroscope label and the seemingly full-length The Flame of Lucifer – here, also underlining the aesthetic links to PROFANATICA and especially HAVOHEJ – but “seemingly” in the sense that that recording was album length and yet otherwise considered an EP; the same could be said for 2005’s classic Cease to Exist compilation. As the decades slogged on, NecroDan would intermittently emerge with a new / “new” recording, always in the most underground manner and with absolutely zero fanfare, preferring the private and autodidactic over any sort of cultivated “mystery” or scene involvement.