Black Metal

“Ruumissaarna Pt. 1 is about the darker side of Finnish man’s nature,” explains founding guitarist/bassist Valgrinder. “It tries to find and understand the reasons which make ordinary man a beast, a killer, when opportunity and circumstances are right – when things move in a certain direction slowly but surely, until it reaches the point where there’s no turning back anymore. It’s about our inner demon – The Perkele – who is living inside us and just waiting to get the opportunity to take over. And of course, it’s also about those innocent ones who have to take the consequences. Ruumissaarna isn’t fantasy nor fiction; it’s the everyday darkness we want to deny. It’s the darker side of Finnish culture and our nature.”

Black Metal

Piece of a pure and raw traditional Black Metal full of twisted landscapes that will lead your soul to death. “Poetry of Death Poison” is a dark manifestation, coming from an entity that comes from the cold winds of the north, full of omens and curses that will lead your mind towards a deep feeling of evil and ruin, opening portals that go beyond pain as a transcendental method to other worlds desolate and full of anger. It should be noted that this work will deliver a key that only the followers of the atrocious path will be able to discover in the depths of their beings, as well as those who still keep burning the internal flame of crude, ancient and classic Black Metal

Black Metal

Reigning terror in cruel confederation with the chthonic Inferna Profundus Records has the lunar immortality of Funeral Fullmoon and the star disintegration of Nocturnal Prayer come to clash in cacophony of celestial defilement—their collision of astral formation creating a the split incantation between the two known only as Disciples of the Moonlight Worship. Weaving a vast tapestry of dissonant void noise, Disciples of the Moonlight Worship is a deranged foray into the caverns of moon misery; Funeral Fullmoon storming forth a stellar collection of furiously discordant spells that mar perfectly with the stripped down, direct and vigorous melodics of Nocturnal Prayer in true raw black metal rancour of spirit flesh. Leaving nightmare of sanguine sorrow in all minds who experience its worship of lunar lament, Disciples of the Moonlight Worship is an expertly forged split incantation of black metal sorcery, with each grimoire of ethereal sadist splendour complementing that which it mirrors. Roaming wanderers forever bereft in the black between the stars.

Black Metal

Funeral Winds formed in 1991 as a trio composed of Hellchrist Xul (guitars/vocals), Gorgoroth (vocals), and Esteban (drums). Along with Bestial Summoning, which was founded approximately one year earlier, Funeral Winds was among the earliest of black metal bands to emerge from the Netherlands, and its activity through to the present day makes it one of the most significant in the country’s history. Given the era of the band’s formative years and its relative proximity to Norway, it is not surprising that Funeral Winds played in a style similar to that of the more well-known Norse bands like Mayhem and Gorgoroth. Prior to the release of its debut album, “Godslayer Xul,” in 1998, Funeral Winds recorded three demos, an EP, and a split CD with Abigail. These early recordings were later reissued by two different labels on two separate compilations entitled “Screaming for Resurrection…” and “The Unheavenly Saviour” in 2004 and 2019, respectively. These collections are hereby resurrected on vinyl by Nuclear War Now!, a few months after first being made available on cassette by the same label. “The Unheavenly Saviour” compiles the first two demos (“Rehearsal 1992” and “La Majeste Infernable”), a live track, and an unreleased studio track from 1995 on a single LP. The “Screaming for Resurrection…” DLP consists of the third demo, “Resurrection…,” the “Thy Eternal Flame” EP, and the tracks from the split release with Abigail.

Black Metal

GEISTAZ’ IKA are a shadowy entity hailing from Denmark’s revitalized (and rising) black metal underground.

Hailing from Denmark’s revitalized (and rising) black metal underground, the shadowy entity known as Geistaz’ika revealed their first public recording, Trolddomsejd i skovens dybe kedel, at the very end of 2018, but only digitally. So impressed by its windswept wonder, Signal Rex eagerly stepped forward to release this debut album unto the worldwide stage less than a year later.

Black Metal

GEISTAZ’ IKA are a shadowy entity hailing from Denmark’s revitalized (and rising) black metal underground. The band revealed their first public recording, Trolddomsejd i skovens dybe kedel, at the very end of 2018, but only digitally. So impressed by its windswept wonder, SIGNAL REX eagerly stepped forward to release this debut album unto the worldwide stage.

Black Metal

Long an infamous name in underground circles, GOATVULVA formed in Finland in 1989 as a solo-project/side-distraction. With the band’s creations booze-fueled and spur-of-the-moment, many recordings are rumored to exist, and dates of release are entirely speculative. However, it is with absolute authority that the legendary Blasphemous Sexfago demo came first, in 1990 – and fittingly so, its title furthering the inspiration/influence of Sarcofago’s earliest (and best) works, and in effect serving as a secondary inspiration/influence for later legions delving into the deepest recesses of the bestial arts. That same year next brought Rehearsal ’90, with a flurry of demos following the next few years: chronologically Baphometal, Capella, Crucifixus, and Erotic Worship, the first- and last-named also serving as unwitting influences many years later for those wishing to explore the gutter of bestial/experimental black-noise morbidity.