Black Metal

Eyes of red illuminating the castle maze hives from obsidian towers of infinite sorcerous sadism, seeking victims of virginal virtue, arterial networks glowing from beneath pathetic of pallid flesh, descends the flesh blasphemy known only by herald of Wampyric Rites. Returning from its spectral interdimensional realm in the age of 2019, Wampyric Rites is a potent force of Ecuadorian raw vampyric black metal, whose earliest ages of black crusade were led by Wampyric Strigoi, A, S, and Vrolok, the latter of which now rests in the power of the petrifying blood sacred. It would be in these early ages that Wampyric Rites would create a selection of its most infamous incantations, with the cruel clarity of Inferna Profundus Records bringing one of these nosferatu necromancies to acolytes for savour upon barbed tongue of the sanguine once again.

Black Metal

Hailing from the decadent mysticism of the South American continent, twin torrents of squalid vampyric ichor seeping from immortal black fangs, shambles and slaughters those entities of the eternal nocturnal known by titles of Wampyric Rites and Funeral Fullmoon. With both of these nosferatu noctuaries coming into existence in the age of 2019, their own takes on the most raw of vampyric black metal complementing each in perfection of victim drain destitution, it was only a matter of time before the prophecies of their darkest stars aligned in constellations of the most accursed conspiracies. Thus it would be that in the sordid of shadow, hidden from the flames and fears of the mortal folk, that the Spectral Shadows of the Forgotten Castle would be constructed between them, with only the most arcane powers of Inferna Profundus Records to bring this vision to those acolytes seeking the clarity of the damned.

Black Metal

Warlord returns to the glory days of Evil in this debut material from Werewolf Bloodorder.

Silkscreened B-side. Track A3 was not on the original cassette version.

Black Metal

Two of Finland’s black metal hordes unite to compile and recite “Dead Christ Prayer,” an eight-track split release that represents both the country’s unique tradition and its future. Witchcraft, whose style pays reverence in no subtle way to the great Beherit, returns to expand its imprint and demonstrate its continued adherence to the unrefined bestiality that its primary inspiration pioneered thirty years ago. Its co-conspirators in Aske first inhabited the same time and space as Beherit, but then began an eighteen-year hiatus in 1998, returning in 2016 to embark on a second blasphemous stint of new recordings, which have culminated in this effort. “Dead Christ Prayer” thus presides over the exsanguination of the lifeless body of the false savior and the ensuing transfusion ritual, combining the old blood of Aske with the new blood of Witchcraft to perpetuate the cycle of evil.

Black Metal

Black as the epicenter of human misery, the truth, sharp as a dagger, cuts through the arteries of our souls, spewing forth the blood of Satan. A testament of true satanic devotion in the form of IX haunting hymns of the rawest and blackest of metal that Portugal has to offer.

Black Metal

Intense black metal attack made and played with grandeur & passion.

Black Metal

YMIR’s history stretches back to the late ’90s. The band originally existed as a trio of vocalist/guitarist Vrasjarn, later of funeral doomlords Profetus; drummer Lord Sargofagian, who concurrently founded the prolific Baptism; and lead guitarist Toni Pšlkki. With this lineup, YMIR released the Trollsword demo in 1999, mystical black metal firmly (and favorably) of its time. Seven more years would follow before another recording came from YMIR, as the brothers Vrasjarn and Lord Sargofagian were busy with the aforementioned bands (and many others), but the Silvery Howling demo at last arrived in 2006, courtesy of WEREWOLF, and saw the band scaled back to a duo and evincing a rawer, nastier sound whilst retaining the sweet stench of the ’90s. Naturally, once again, more silence ensued…

Black Metal

YMIR’s history stretches back to the late ’90s. The band originally existed as a trio of vocalist/guitarist Vrasjarn, later of funeral doomlords Profetus; drummer Lord Sargofagian, who concurrently founded the prolific Baptism; and lead guitarist Toni Pšlkki. With this lineup, YMIR released the Trollsword demo in 1999, mystical black metal firmly (and favorably) of its time. Seven more years would follow before another recording came from YMIR, as the brothers Vrasjarn and Lord Sargofagian were busy with the aforementioned bands (and many others), but the Silvery Howling demo at last arrived in 2006, courtesy of WEREWOLF, and saw the band scaled back to a duo and evincing a rawer, nastier sound whilst retaining the sweet stench of the ’90s. Naturally, once again, more silence ensued…