Black Metal

Once thought long dead, existing as they did during the ancient days of the early ’90s, Baxaxaxa publicly arose from the dead in 2018 with an exclusive performance at the esteemed Destroying Texas Fest and then a gig in their native Germany. Feeling scorn for nowadays black metal and wishing to stir the cauldron of yore, the then-quintet quickly recorded The Old Evil EP and released it on cassette tape in October 2019. Buoyed by that burning-black momentum, Baxaxaxa released another EP, Devoted to HIM, little more than a year later. Both recordings’ respective titles should surely bespeak the black metal to which the band is beholden: rotten, primitive, and ancient, out of touch and most definitely out of time.

Black Metal

THE CULT IS ALIVE! Once thought long dead, existing as they did during the ancient days of the early ’90s, BAXAXAXA publicly arose from the dead in 2018 with an exclusive performance at the esteemed Destroying Texas Fest and then a gig in their native Germany. Feeling scorn for nowadays black metal and wishing to stir the cauldron of yore, the now-quintet quickly recorded The Old Evil and released it on cassette tape in October 2019. The title itself should say more than enough: The Old Evil is exactly what it fucking is! Ugly ‘n’ primitive riffs, hammering rhythms, raw ‘n’ rotten recording, and hauntingly medieval synths – simply put, BAXAXAXA create black metal out of time! And out of touch, as it should stay, and will remain…back to the coffin they rest.

Black Metal

The first full-length available again on LP.

– 300gsm Jacket With Matt Varnish & Inside Flooded in Black

– 140g Yellow Vinyl

– 250gsm Cardboard Insert

– Limited To 300 Handnumbered Copies

Black Metal

The 3rd album available again on LP.

– 300gsm Jacket With Matt Varnish & Inside Flooded in Black

– 140g Yellow Vinyl

– 250gsm Cardboard Insert

– A2 Poster On 150gsm Art Paper

– Limited To 300 Handnumbered Copies

Black Metal

Portuguese black metal with two exclusive tracks.

Black Metal

Pressed on 140g vinyl. Housed in a 350gsm jacket with black-flooded interior and matte varnish.

Includes adouble-sided insert on 300gsm offset paper and an A2-size poster on 150gsm art paper.

Black / Trash Metal

With its previous releases from the likes of Reencarnación and Nemesis, Nuclear War Now! has demonstrated its affinity to the “Ultra Metal” scene that was endemic to the city of Medellín, Colombia in the late 1980s and early 1990s. This strain of unhinged fury was spawned by the great Parabellum, who is recognized as the first extreme metal band to emerge from Colombia and one of the first from the entire continent of South America. Upon Parabellum’s disbandment in 1986, the similarly-styled Blasfemia was born. Founded by two members of Parabellum, Ramón Restrepo (vocals / bass) and Jhon Jairo Martínez (guitars), Blasfemia sought to outdo the rawness and brutality of its predecessor in a sound that reflected the harsh reality of existence in a place ruled unofficially but unequivocally by the sinister hand of a powerful drug cartel. To execute this vision, the two founding members called upon the services of neighborhood friend and percussionist Luis Fernando Cano. Between 1986 and 1988, Blasfemia performed live a handful of times with bands such as Reencarnación, Nemesis, Astaroth, Profanación, Necromantie, Glöster Gladiattor, Necrofilia, and others. It also recorded several demo tracks and, most notably, a four-song EP entitled “Guerra Total.” The EP was released on 12-inch vinyl format in two separate iterations by two different entities in 1988. The more limited version was apparently pressed on only 100 copies and is identified by its gray center labels, but it was not fully endorsed by all members of the band. The other edition, which features red center labels and a secret needle mark, was pressed on 500 copies. Alternate versions of two previously-recorded tracks were also released on two different compilations in 1988 and 1989 before Blasfemia essentially disappeared until its reemergence in 2011.