Black Metal

Lim. 150 hand-numbered copies.

Black Metal

One of the deepest gems of the always-vital Greek black metal scene, WAMPYRINACHT began unholy life back in 1995. Their first demo arrived the next year, followed two years later by an EP released by Melancholy Promotion, the precursor to the infamous ISO666 label. Thereafter, WAMPYRINACHT more or less returned to the crypt, as members drifted off and mainman Necrolord sought to establish a new lineup. Mind you, Necrolord kept busy in myriad bands in the meantime – truly, he is one of the most prolific veterans of the Greek underground – but it was not until 2017 when WAMPYRINACHT would return with a new recording. Thankfully, that record bore fruit in full-length form, under the title We Will Be Watching: Les cultes de Satan et les mystères de la mort. A dynamic and dazzling display of canonic Hellenic black metal but infused with a melancholy that was indeed vampyric, We Will Be Watching became a late-days essential of Greek classicism.

Death / Trash Metal

HELL IS OPEN…AGAIN! New WARHAMMER full-length studio-album NO BEAST SO FIERCE…”, containing 11 brand-new tracks, available now. First album in 8 years, the wait is finally over. Total Deathdoom from Germany’s Unholy Brigade.”

Black Metal

Once the best-kept secret of the ever-fertile Finnish black metal underground, WARMOON LORD truly made their presence known with 2021’s Battlespells. Released by WEREWOLF, the band’s second album fulfilled the promise of 2019’s not-inconsiderable Burning Banners of the Funereal War with superlative flair. The sound was stridently classicist, but suffused with windswept grandeur, martial surge, and orkish execution – and, perhaps above all, both songwriting and personality to spare. No longer “the other project of the OLD SORCERY guy,” WARMOON LORD mainman Lord Vrajitor made sure Battlespells lived up to its namesake, and then some.

Gatefold LP + Poster.

Black Metal

Originally released in various limited editions since early 2019, Burning Banners of the Funereal War began the saga that is WARMOON LORD. Arguably the best-kept secret of the ever-fertile Finnish black metal underground, the band is the sole work of one Lord Vrajitor, a prolific figure in the wider Finnish music underground, but also concurrently the mainman of Old Sorcery. But whereas that band largely/mostly works within the dungeon synth genre, WARMOON LORD is pure & proud black metal of a most fantastical nature – equally medieval, maybe even more so, but burning with icy-hot passion that so fired the second wave during the mythical 1990s.

Black Metal

Originally released in a limited edition in early 2020, this split album features exclusive tracks from two uprising hordes among Finland’s ever-fertile black metal underground, and both being bands who’ve since released crimes via WEREWOLF. WARMOON LORD should require no introduction after 2021’s superlative Battlespells, and here does Lord Vrajitor expand upon his classicist muse: medieval black metal majesty from the mid/late ’90s, with special emphasis on spectral synths for this recording. For their part, VULTYRIUM might’ve released one of 2022’s dark-horse hits with their self-titled album, but it was here where mainman The Vultyrian established his crude-yet-cruising style of black metal rife buttressed by somber bass work, at times evoking early Algaion. Together, seven spells cast in 38 minutes: Pure Cold Impurity raises the banners – again – of modern Finlandia resistance!

Black Metal

Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Exclusive import from USA – limited copies available.

Black Metal

Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Exclusive import from USA – limited copies available.

Black Metal

Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Exclusive import from USA – limited copies available.

Black Metal

Warlord returns to the glory days of Evil in this debut album from Werewolf Bloodorder. The Rebirth of the Night and the Fog is a trip back to the 90’s! Containing 7 new songs, one of them originally composed for the new Evil album, which was never released and a song composed by Warlord and Black Goat of Darkness in 1994 and only now duly released.

RAC/Oi!

The next all-out attack from the remote expanses of Australian skinhead rock! With “Reckless Aggression,” Australian skinhead/Oi! punk band White Noise delivered a live album on Rock-O-Rama Records in 1990 that blurred the lines between heavy punk, hardcore, and the unleashed elemental force of skinhead rock. The first few seconds of the album are like a punch in the face – a merciless, angry performance that makes it clear from the very first note that this band has no intention of conducting diplomatic peace negotiations. White Noise’s musical roots are deeply embedded in the world of Oi! and punk rock, but “Reckless Aggression” goes one step further. The sound is reminiscent of the wild days of Motörhead – with a mixture of dirty rock ‘n’ roll and uncompromising hardcore that tears down everything in its path. In addition to music, this is also about an attitude, a mindset that swings through the record grooves like an imaginary wrecking ball.

RAC/Oi!

Anyone who believes that street rocknroll is merely a British cultural asset will get a full broadside from Down Under with “The First Assault”. White Noise from Fremantle, Western Australia, released a debut on Rock-O-Rama Records in 1989 that smashes through the windshield of mediocrity like a cobblestone. There is no lamenting here, there is confrontation. No room for poetry – just harsh truths and an unembellished confrontation with reality.

White Noise fuse Australian skinhead hardcore with British street sound. Tracks like “Clockwork Violence”, ‘Rebels’ or “We Don’t Need It” scream out their frustration in a world that sees the individual only as a consumer. This album is an expression of discontent set to music in one piece: harsh, loud, honest. No pathos, just full throttle. It’s about identity, anger, belonging – set to music with drilling guitars, booming bass lines, driving drums and a frontman who manifests his lines more than sings them.