Black Metal

Finally available for the first time on LP, originally recorded in 1997.

With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick professionally printed thick INSERT.

Black Metal

Finally available for the first time on LP, originally recorded in 1997.

With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

SILVER MARBLE, Lim. 88 copies.

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick professionally printed thick INSERT.

Black Metal

Ulvmonddomānen stands on a crescent sound constant linking the old world to primordial forces and transformation, clothed in the shadows of the damned ancient shrines that once served in the wheel of the mystical world. This garment is constituted beyond the nocturnal veil of the lunar forces and traditional mythology, the diabolical appearance of the sacred mirrors of the underworld and the cathartic transformation of the Being into the fiery beast, dominated by the venomous intellect and the perpetual cold of distant lands. Each of the hymns-legends has an auræs of old grimoires haunted by the sinister veil of the fullmoon whispers, wrapped by a completely different revelations and much more complex devilish orchestration than the beginnings of “Stronghold of Majestic Ruins” a refined but powerful setting that highlights the glorious reflections of the time of past hordes. Ulvmonddomānen will be the next arcane appearance of the colossal cenotaph carved under the majestic immemorial realms.

Death Metal

“The Supreme Force of Eternity, the debut album with some old obscure demo tracks as a bonus. That’s actually also what the main material is too. But re-recorded in 1998 versions of previously old demo material from the first era in the early 90s. So in a way it’s a collection of older re-recorded material from the early years of the band. Hence the material differs somewhat from the second album “Enter the Realm of Death”. But it’s still a classic release in the history of Runemagick.” – Nicklas Rudolfsson

Black Metal

Striking while the iron’s hot, Order of Vengeance follows less than a year after RUNESPELL’s critically acclaimed debut album, Unhallowed Blood Oath, also released by IRON BONEHEAD. Let it be known, however, that there’s not one sacrifice in quality to be found here. If anything, the RUNESPELL aesthetic has become even more iron-girded and iron-willed. There’s a greater sense of urgency on Order of Vengeance – an unquenchable desperation, even – that drives these no-less-grand epics. Whereas Unhallowed Blood Oath situated itself on an axis of melancholy vs. bloodlust, suitably, Order of Vengeance ups the bloodlust considerably…although, of course, the melancholy is no short supply here, particularly on the sparse ‘n’ haunting instrumental “Night’s Gate.” The album length, too, has been padded out to a spacious and all-enveloping 47 minutes, allowing the full mesmerizing grandeur of the RUNEPSPELL aesthetic to take root and consume. More massive, yet more urgent: Order of Vengeance is indeed a new order.