Black Metal

All material by Morden Demstervold (Haat, Orodruin, Old Tower etc) compiled and remastered on one LP.
Printed in 200 copies including inlay.

Black Metal

Furthering DENIAL OF GOD’s by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band’s live sets today – a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.

Black Metal

Underground legends DENIAL OF GOD emerge from the grave with “Death and the Beyond, containing eight cursed tracks in 62 minutes and recorded in 13 days the analog way at the legendary Berno Studio (Grotesque, Kaamos, Amon Amarth,etc) in Sweden.
“Death and the Beyond” captures all the trademark darkness and ghoulish atmosphere of classic DENIAL OF GOD, now going on 20-plus years.
Want the perfect combination of black, death, doom, and heavy metal? Seek “Death and the Beyond”!

Re-issue, 298×2 clear with neon purple marble effect 180g vinyl in polythene black sleeve, gatefold jacket 350g, black flooded inside, 8 page vinyl size booklet on 140g offset art paper, download card, all assembled in a PVC overbag.

Black Metal

Dripping Papal Blood is the secret unreleased second demo recorded a decade ago in 2010, in the band’s now shuttered ‘the prisoner’s chant…’ studio which rested at ground level across from the oldest cemetery in new york and rumored to be haunted.

Black Metal

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. Napoleon’s coronation—the Anti-Christ’s ascent—left the earth damp with the crimson blood of elitism.

Black Metal / Dungeon Synth

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.

Black Metal / Dungeon Synth

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.