Black Metal

Originally released in the autumn of 2005, of DARK FUNERAL’s fourth album, Attera Totus Sanctus, was arguably the band’s fastest and fiercest record ever – which is all the more remarkable given the band’s longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that’s black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL’s inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Black Metal

Originally released in the autumn of 2001 on the pivotal No Fashion label, DARK FUNERAL’s third album, Diabolis Interium, arguably brought the band to their biggest audiences yet. The album’s release was followed by wealth of touring across both Europe and the United States, the latter still a rarity back then for Scandinavian black metal bands. Indeed, with the razor-sharp execution across Diabolis Interium, DARK FUNERAL were perfect ambassadors for the sound, and for Swedish black metal in general: many bands had come and gone over the ‘90s, but there they stood, sticking to their guns – and spiked gauntlets. Nothing could extinguish this inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Diabolis Interium will faithfully reproduce the original. Include 4 cover tracks (King Diamond, Sodom, Slayer, & Mayhem) and 3 live tracks (from South American 2003).

Black Metal

The mini album from 2000 available again on LP.

Black Metal

Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL’s second album, Vobiscum Satanas, consolidated the strengths of the band’s classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.

Black Metal

Seven years without a new studio album by long-running Swedish black metal act DARK FUNERAL was a tough time for its worldwide legions of fans, but finally in 2016, two decades after the release of the band’s legendary debut album “The Secrets Of The Black Arts” a new aeon is about to begin. And, DARK FUNERAL’s sixth studio album, “Where Shadows Forever Reign”, produced by Daniel Bergstrand (In Flames, Dimmu Borgir, Behemoth), actually refers back to the aforementioned first album in several ways: Firstly, it proudly comes along with stunning artwork by Necrolord (Dissection, Necrophobic, Emperor) just like “The Secrets…” back in ‘96, secondly, it also marks a debut of sorts as it is the first DARK FUNERAL opus with new vocalist Heljarmadr (Grá). His vitriolic snarl finds a perfect match in Lord Ahriman’s trademark riffing, and shines on the intense opening track, which would not have felt out of place on 1998’s “Vobiscum Satanas”, as well as on the slower epic, “As I Ascend”, the diverse “To Carve Another Wound”, or the grim finale “Where Shadows Forever Reign”. Rewarding their fans to the fullest with an incredibly strong new album burning with passion and determination, DARK FUNERAL shall celebrate a triumphant return…in the sign of the horns.

Black Metal

One of the best Dark Fury albums available for the first time on LP.

Death Metal

In 1991, Dark Opera was formed in Łódź, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Łomża. The following April, Dark Opera recorded its first demo, “The Day of Pariah,” at Ariadna Studio in Łódź. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, “Calling the Legend,” in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.

Death / Doom Metal

In 1991, Dark Opera was formed in Łódź, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Łomża. The following April, Dark Opera recorded its first demo, “The Day of Pariah,” at Ariadna Studio in Łódź. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, “Calling the Legend,” in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.

Dark Ambient

‘Iterum’ comes with one more song than the digital ep: “Loin de Moi” (exclusive to the physical release).

It will be a one-off press and limited to 500 copies (numbered)