Black Metal

Hollow, swirling strings awash with thundersnow synth… hailstorm rhythm computer and a wolf’s call ravening for blood.

Six mysteries bound by war and grief, romance and myth.

A decade’s culmination of great work wrought by ancient, crimson-stained vehemence – and a new era’s genesis.”

Debut full-length of Grizelda.

Black Metal

Grógaldr is the carnal compilation of this entity’s grim conception. A litany of heresies unshackled and let loose one last time before the grimoires of Grógaldr are finally brought to a close. A ravishing onslaught of tortuous tenacity, Grógaldr favours the sounds of an endless fury here, delivering a blistering percussive framework of perpetual blast beats and flesh weeping tremolo entropy—these sections contrasted by breakdown of blood and hallucinogenic soundscapes of hissing guitar torment reverb feedback. Hypnosis of hellfire and void of wandering, Grógaldr may very well be the only chance to obtain these occult orations upon vinyl wax, before they are sealed away again, this time, for an eternity.

Black Metal

Tracks 1-6 from the original cd version. Tracks 7-11 from “Sons Of Zeus” split with The Shadow order.

Black Metal

Tracks 1-6 from the original cd version. Tracks 7-11 from “Sons Of Zeus” split with The Shadow order.

Black Metal

Cult Black Metal from 2000 finally available on LP.

Black Metal

GRYFTIGÆN returns after the shattering of peace and light with the Debut LP “Graven Til Måneåpenbaringer” that was delivered by Inferna Profundus Records. A new Full-Length embodiment of aggression and carnage. “Fehunðyrdauðr” offers seven tracks of soulless and raw black metal that parallels the sounds of true death and decay. Ferocious growling vocals that are solidified into the mortal existence with hypnotic and voided atmospheres. GRYFTIGÆN bestows unholy and dark afflictions on this piece of Raw Black Metal hatred.

Black Metal

Gryftigæn is consecrated in anno 2019 by “Lord Valtgryftåke” Guitars/Lyrics/Vocals. Subsequently be part “Lord Nbl Dmn III” Drums/Percussions. Through different magical sounds and spectral vibrations what characterizes as “Oneiric Nigredo” the magical articulation of this muziek is crystallized and channeled through the empyrical prisms of the Death worship-Black sorcery & Privitivism. This entity revives the ancient legacy of the 90´s dark ages in the witchcraft path, the essence is to embody itself as the sacralical acts of reverberation and the poisonous enchantment of Man. The name “Gryftigæn” consists of two ancient words fragmented from the Poisonous that is described in Germanic texts and ancient words from Proto-escandinavian themes referred to “Place of rest or Buried

Black Metal

GRYMMSTALT is a new cross-continental project between two of black metal’s busiest men: Wampyric Strigoi (WAMPYRIC RITES, DUNGEON STEEL, AURAE LUNAE et. al.) and Lord Valtgryftåke (RÜNDGARD, Pyreficativm, Gryftigæn, 13th Temple, Mánþiel et. al.). While both also helm WINTERSTORM, GRYMMSTALT foregoes that band’s more medieval ruminations toward the trance-inducing melancholy of Burzum circa Filosofem – or perhaps more concretely, grim disciples like early Forgotten Woods, I Shalt Become, and Wigrid. Their first recording under this banner, Athems of Mournful Despondency is accurately titled: five time-expanding/halting tracks across 45 haunting minutes, shimmering with a strangely full rawness that only heightens (or deepens) the despairing abyss you’ll be inexorably drawn toward.

Black Metal

The sophomore record from the Québécois solo act Gulguhk, spearheaded by the prolific artist behind Ifernach, Maeströ Cröque Mört, and Aufnorden, among others, presents a notable evolution in sound and style. The album achieves an ethereal quality through a balance of guitars and synths, crafting an effulgent atmosphere that is quite immersive.