Black Metal

A raw pre-production of material for the debut album and more – an atmospheric introduction and a moody acoustic guitar based instrumental is added, making this a release of its own. Black metal from the desolate abodes of Northern Carpathia.

Re-issue, 290x seablue 12″ (140g) in a black poly-lined innersleeve, download card, gatefold full-color on 350g, coated paper, all assembled in a plastic overbag.

Black Metal

The release that put Krolok firmly on the map in the underground in 2017. All fat cut out, just five haunting hymns of brooding nocturnal black metal that lurks like a reptile within forlorn castle ruins of Europe’s obscure corners. For fans of classic Scandinavian and Central European black metal of the golden 90s era, in its pure undiluted form and with the right authentic spirit.

Black Metal

The release that put Krolok firmly on the map in the underground in 2017. All fat cut out, just five haunting hymns of brooding nocturnal black metal that lurks like a reptile within forlorn castle ruins of Europe’s obscure corners. For fans of classic Scandinavian and Central European black metal of the golden 90s era, in its pure undiluted form and with the right authentic spirit.

Black Metal

The 2nd album available again on LP

Reprint, 400 neon green with red splatter vinyl (140g), innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag

Black Metal

Reprint, 300 x white 2×12″ (140g) in a black poly-lined innerbag, 4 pages booklet on 180g offset paper, gatefold jacket on 350g uncoated (matte) with UV spot lacquer, all assembled in a PVC overbag.

Black Metal

The original full-length from 1994 available again on LP.

Black Metal

The original full-length album from 1992 available again on LP.

Black Metal

“World Funeral” album (2003), which marked the last opus with singer Legion and to the very day remains a flawless, hateful yet varied Swedish black metal attack. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson), detailed liner notes, unpublished photos, revamped artwork by Death Wolf vocalist Maelstrom.

Re-issue, 398x white with black marble effect 12″ (180g) in a microtene innerbag, printed innersleeve full-color on 220g, jacket full-color and black flood inside on 350g, all assembled in a PVC overbag.

Black Metal

For over 25 years now, MELECHESH have been crafting a singular sound that encompasses black metal, death metal, and most uniquely, Middle Eastern folk music. That they were Israel’s most known black metal export is only part of the MELECHESH story, for that story would mean nothing if there weren’t classic albums to back it up. Of them, the band’s three-album run on OSMOSE in the early/mid 2000s – Djinn, Sphynx, and Emissaries – is widely considered to be the band’s best work.

Black Metal

Since their formation in 2007, MINENWERFER have pursued a proud ‘n’ pure vision of black metal idiosyncratically focused on World War I – idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That third album, Alpenpässe, is arguably MINENWERFER’s grandest work yet. While seven years separated it from its full-length predecessor, Nihilistischen, the payoff was well worth it: its six songs in nearly an hour are towers of incomparable might. Everything here is free and flowing, with the bountifully rising/falling melodies pulling at the listener’s heartstrings and casting an ominous (and eminently playable) spell that simply needs to be experienced to be believed. This is MINENWERFER at their most powerful and poignant.

Black Metal

Since their formation in 2007, MINENWERFER have pursued a proud ‘n’ pure vision of black metal idiosyncratically focused on World War I – idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider’s “Schüzengraben” and legendary shredder Yngwie J. Malmsteen’s early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound.