Moorgeist (DEU) / Hergandrom (USA) – Nightwind Spells DIGI-CD

Majestic Black Metal

Finally available again on CD, originally recorded in 1996.

With a fully restored layout, including handwritten lyrics and totally re-mastered for CD.

Officially released by Ragnarok records, and distributed worldwide by ASRAR.

4 panel digipak, black flood, inside out cardboard + booklet.

Black Metal

Pagan black metal band formed in 1991 in Wrocław, Poland.

Graveland’s style has changed from raw black metal on the early albums to a more epic sound which is inspired by Hammerheart-era Bathory. Lyrically, on the early works Rob Darken was inspired by Celtic beliefs, now he’s Wotanism-orientated and calls his music “epic pagan metal”.

Black Metal

The album keeps the dirt of the demos and glorifies it adding even more dementia. Beware!

Black Metal

Titled Outojen Tornien Varjoissa, FAUSTIAN PACT’s full-length debut is the grand culmination of all the gloriously bewitching work they brewed across that trio of demos. Exploding with an effervescence that’s addicting and undeniable, their swords-aloft attack surges and swells, crests and cascades. At the forefront are stained-glass synths whisked from a time – and a fantastical landscape – far, FAR away, sumptuously underlining their heroic/romantic style of black metal deeply steeped in a nostalgic past. Across the album’s 41 minute (fantastical) landscape are spread lyrics of splendorous mythology, swords & sorcery, vast forgotten realms brought to life through wily, wanderlusting black metal betraying a noble melodicism. FAUSTIAN PACT are thus a unique balance of contrasts: orkish energy vs. mystical atmosphere, dungeon rawness vs. castle-top aristocracy, obsidian darkness vs. gleaming light. So, whether 25 years ago or 2500, removed by a reality or two, Outojen Tornien Varjoissa is timeless BLACK METAL MAGICK – dark medieval times have at last arrived!

Black Metal

Newcomer to the USBM scene from Virginia (USA), NOCTILUCENT offers us here a debut album of great quality, mixing influences from the old Norwegian scene with the typical raw sound of current American productions .

“Hollow Moon” brings us back to basics : Black Metal in its purest form.

Black Metal

While largely within the wider umbrella of black metal, RVBBERVVITCH’s unique expression nevertheless evades easy categorization – nor easy consumption. Guitars are harsh and cold, yet seemingly summoned from a post-apocalyptic crater rather than an amp; bass tones are mercilessly overdriven, grinding body and soul into the dirt; cutting out humanity altogether, both blastbeats and doomy stomps pump like pus from a Midi drum-machine; and sinister echoing soundscapes meld with malodorous French vocals, which demonically range heavily distorted screeches to low-pitched grunts. And whereas so many nowadays “black metal” bands play-act, the creator of RVBBERVVITCH matches content with form, life with art: the unconventional, largely taboo visual imagery is a reflection of the artist’s unabashedly hedonistic lifestyle.