Dolentia (POR) – O Ressurgimento da Verdade WHITE LP

Black Metal

Ulvmonddomānen stands on a crescent sound constant linking the old world to primordial forces and transformation, clothed in the shadows of the damned ancient shrines that once served in the wheel of the mystical world. This garment is constituted beyond the nocturnal veil of the lunar forces and traditional mythology, the diabolical appearance of the sacred mirrors of the underworld and the cathartic transformation of the Being into the fiery beast, dominated by the venomous intellect and the perpetual cold of distant lands. Each of the hymns-legends has an auræs of old grimoires haunted by the sinister veil of the fullmoon whispers, wrapped by a completely different revelations and much more complex devilish orchestration than the beginnings of “Stronghold of Majestic Ruins” a refined but powerful setting that highlights the glorious reflections of the time of past hordes. Ulvmonddomānen will be the next arcane appearance of the colossal cenotaph carved under the majestic immemorial realms.

Black Metal

Piece of a pure and raw traditional Black Metal full of twisted landscapes that will lead your soul to death. “Poetry of Death Poison” is a dark manifestation, coming from an entity that comes from the cold winds of the north, full of omens and curses that will lead your mind towards a deep feeling of evil and ruin, opening portals that go beyond pain as a transcendental method to other worlds desolate and full of anger. It should be noted that this work will deliver a key that only the followers of the atrocious path will be able to discover in the depths of their beings, as well as those who still keep burning the internal flame of crude, ancient and classic Black Metal

Black Metal

New split album between Ecuadorian and Indonesian Black Metal bands.

Black Metal

Parting ways with HETROERTZEN in late 2021, bassist Ham continued down a path of his own, and as the sole composer “Tristan Moreau”, he founded DER TRAUERSCHWAN the same year in the Swedish town Västerås.

The debut album “Sanguinare Vampiris” is the completion of poetry & song that was written during the past two pandemic years.

Inspired by the English poets of the romantic era, lyrical themes explore the naked diary of a vampire, and while musically a bleak conjunction between 90’s black- and doom metal, the harmonic teachings of classical musical theory also have a certain impact.
With influences reaching from Summoning to My Dying Bride, DER TRAUERSCHWAN provides a unique blend of somber doom- and black metal, with vampiric-themed lyrics expressed through haunting songwriting.

Black Metal

Resembling an ancient agony, in eternal dying splendor, these entities have crossed the southern night skies to recite a work entitled “Ensomhet” one of the ancient passages adorned with darkness and cruelty. This opus to the ancient ones hovers over the distant eyes of the great black dragon, the eternal poisonous sleep of the gods exalted in cold cacophonous stormwinds, each of the orchestrations constitutes the black spell of the primordial realms and the majestic countenance, of vitrified prayers beyond from the southern mountains eroded and sunken by fate, where primitive man completed his transmigration in the mysteries and secrets of possession…

Black Metal

Funeral Winds formed in 1991 as a trio composed of Hellchrist Xul (guitars/vocals), Gorgoroth (vocals), and Esteban (drums). Along with Bestial Summoning, which was founded approximately one year earlier, Funeral Winds was among the earliest of black metal bands to emerge from the Netherlands, and its activity through to the present day makes it one of the most significant in the country’s history. Given the era of the band’s formative years and its relative proximity to Norway, it is not surprising that Funeral Winds played in a style similar to that of the more well-known Norse bands like Mayhem and Gorgoroth. Prior to the release of its debut album, “Godslayer Xul,” in 1998, Funeral Winds recorded three demos, an EP, and a split CD with Abigail. These early recordings were later reissued by two different labels on two separate compilations entitled “Screaming for Resurrection…” and “The Unheavenly Saviour” in 2004 and 2019, respectively. These collections are hereby resurrected on vinyl by Nuclear War Now!, a few months after first being made available on cassette by the same label. “The Unheavenly Saviour” compiles the first two demos (“Rehearsal 1992” and “La Majeste Infernable”), a live track, and an unreleased studio track from 1995 on a single LP. The “Screaming for Resurrection…” DLP consists of the third demo, “Resurrection…,” the “Thy Eternal Flame” EP, and the tracks from the split release with Abigail.