Black Metal

Formed in 1996, SURRENDER OF DIVINITY are the oldest black metal band to hail from Thailand, and more importantly one of the first bands to put Southeast Asian black metal on the international map. A handful of demo and split tapes followed during the late ’90s and into the new millennium, all before the fateful release of their debut album, Oriental Hell Rhythmics, in 2001. A statement of pride as well as of intent, Oriental Hell Rhythmics soon became a classic work of caustic, cryogenic black metal steeped in the early Norwegian tradition. A seemingly odd proposition on paper, but given SURRENDER OF DIVINITY’s date of origin as well as how much slower life moved during the zine & tape-trading days, their sound then was not all that surprising. Regardless, the freezing fury they whipped forth across the deceptively epic album (six songs in 49 minutes) could not be denied: on cyclonic hypnosis alone, SURRENDER OF DIVINITY were superlative, and served as a fuck-off counterpoint to all their old influences who had wimped out by the end of the ’90s. Idiomatic “Norsecore” delivered with exotic flair. SURRENDER OF DIVINITY are Christ-beheaders eternal!

Swedish Black Metal

The first album available again on quality CD.

Swedish Black Metal

The second album available again on quality CD.

Black Metal

Black metal duo from Melbourne, Australia, SYLVAN AWE, present their third full length, ‘Pilgrimage’.

Formed in 2015, S. Callinan and A. Horsman forged their own path within the realms of black metal with their first album ‘Offering’.

Their sophomore release ‘Transcend’ released in 2021 on Northern Silence Productions presented a more focussed and mature sound with success.

Here they present ‘Pilgrimage’, a further exploration into black metal yet unbound from its restraints. A more progressive and melodic approach, from acoustic explorations spanning toward triumphant and defiant, visceral expressions.

Black Metal

Valac returns with the strength of poignant riffs and a warmer production that reveals levels of melodic entanglement, though furious and ravaging, this new album assures that the act’s legacy remains untouched and even enhanced.

Obscure Raw Black Metal.

Majestic Black Metal

Finally available again on CD, originally released in 2000.

With a fully restored layout, including handwritten lyrics and totally re-mastered for CD.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

4 panel digipack CD with inside out cardboard cover + 8 pages booklet.

Black Metal

WEREWOLF RECORDS is proud to present VARGRAV’s highly anticipated debut album, “Netherstorm.” Hailing from Finland, the band originated during starless nights in late 2015. As the vision calmly evolved and the cloak of obscurity relinquished, VARGRAV was chosen to be illuminating sign for this act of black arts. During the formative years, the music also transmitted into a profound abyss, only to reincarnate as a sinister glow of the black flame. A demo version of the album was then unleashed during the summer of 2016, and after numerous contacts from different labels, WEREWOLF RECORDS was immediately chosen to be the most suitable collaborator with which to work. That album, now bearing the ominous and apt title of Netherstorm, is a blizzard-blown blast from the ancient past. “Symphonic black metal” may be a dirty word to some still, but back in simpler, more idealistic times, that appellation bore delicious fruit, and many long-cherished classics of the black metal canon have upheld that banner; more specifically, once upon a time, it was simply BLACK METAL. VARGRAV bear witness to this fact, and create a swarming, densely layered maelstrom of medieval majesty and moonlit madness. Tangibly physical without sacrificing the finer nuances of synth layering, Netherstorm sweeps grandly across a cobwebbed landscape, distant ruins becoming the very listener’s landscape. It’s truly timeless magick, evoking the visionary works of old Obtained Enslavement, Dimmu Borgir, Abigor, Limbonic Art, and especially early Emperor, whose “Ancient Queen” is covered on the bonus 7″ which comes with the vinyl LP pressing of Netherstorm. The overture of a black-hearted storm has been sung and what has yet left uncovered shall be conquered…

Black Metal

From the dawn of the classic debut album, Netherstorm, in 2018, Finland’s VARGRAV have almost single-handedly reinvigorated the oft-maligned symphonic black metal subgenre. Forged in fires from the ancients – founder V-Khaoz’s credentials are vast and stretch back decades – and stoking the embers last left by Obtained Enslavement and Norway’s Covenant and Odium, VARGRAV’s two albums to date stand as proud pillars of shimmering, classics-based obsidian.

As momentous as those two full-lengths have been, VARGRAV arguably eclipse both with their third album, The Nighthold. With a lineup that now includes the notorious Graf Werwolf von Armageddon on vocals and Moonsorrow members Trollhorn of the Black Harvest on guitars/bass and Baron M. Tarwonen on drums, VARGRAV’s swirling, cosmic surge has never been more potent; their attack is both sharper and dreamier, crystal-clear and opaque simultaneously. That added clarity creates more immediacy as The Nighthold kicks in, for the aggression of old is kicked into overdrive here and the synths take on a truly orchestral aspect. It’s not for nothing that the album is a full hour in length: everything here sounds (and feels) HUGE, one massive velvety purple landscape of stained-glass visions as far as the third eye can see. And all 12 tracks are threaded together in a plausibly cinematic manner; while each is mighty in its own respective right, VARGRAV sequence every song with artistic flair and high drama, concluding the immersive experience with a daresay-soulful guitar solo during the coda of “Creator of the True Realm” that then segues into the nearly-10-minute big-screen instrumental “Ghostlands.” What film or filmic realm one enters into (or leaves) is entirely up to the listener…The Nighthold is boundless!

Black Metal

The album keeps the dirt of the demos and glorifies it adding even more dementia. Beware!