Black Metal

Originally released in the autumn of 2001 on the pivotal No Fashion label, DARK FUNERAL’s third album, Diabolis Interium, arguably brought the band to their biggest audiences yet. The album’s release was followed by wealth of touring across both Europe and the United States, the latter still a rarity back then for Scandinavian black metal bands. Indeed, with the razor-sharp execution across Diabolis Interium, DARK FUNERAL were perfect ambassadors for the sound, and for Swedish black metal in general: many bands had come and gone over the ‘90s, but there they stood, sticking to their guns – and spiked gauntlets. Nothing could extinguish this inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Diabolis Interium will faithfully reproduce the original. Include 4 cover tracks (King Diamond, Sodom, Slayer, & Mayhem) and 3 live tracks (from South American 2003).

Black Metal

Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL’s second album, Vobiscum Satanas, consolidated the strengths of the band’s classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.

Black Metal

Reprint of the 2000 full-length.

Black Metal

Glorification is the first EP by Swedish black metal band Marduk.

It was recorded and mixed at The Abyss in May 1996.

Black Metal

Since their formation in 2007, MINENWERFER have pursued a proud ‘n’ pure vision of black metal idiosyncratically focused on World War I – idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider’s “Schüzengraben” and legendary shredder Yngwie J. Malmsteen’s early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound.

Black Metal

The album from 2003 available again on LP.

Black Metal

The album from 2007 available again on LP.

Black Metal

Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late ’90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.
A deeply atmospheric and spiritual journey, positioning Sary Oy as a cornerstone of the band’s discography.

Death Metal

Originally released in 1992 by a very young OSMOSE, at the beginning of what many hold as the label’s “classic years,” PAN-THY-MONIUM was formed by scene legend Dan Swanö (Edge of Sanity, Nightingale, Bloodbath) and members of Ophthalamia to indulge in – and push ever further – the most bizarre and avant-garde boundaries of death metal. An opening track that’s over 20 minutes long, saxophone freakouts, wordless vocals, constantly shape-shifting song structures full of swampy riffing and careening blastbeats…everything but the kitchen sink goes into Dawn of Dreams. Although it caused confusion upon its original release, the album later became a cult classic with my underground fanatics and other weirdos, especially fans of Swanö’s vast body of work. Experience it again (or for the first time) and blow your mind!

300 x A-side/B-side – opaque gold/opaque yellow 12″ (140g) in a microtene innerbag, printed innersleeve on 220g, jacket full-color on 350g, all assembled in a PVC overbag.

Black Metal

“Sorcier Des Glaces’ second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It’s no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

Black Metal

New LP edition of the full-length from 1998 .
Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night’s throne.