KLD001 Øksehovud (NOR) Makt, Høyhet, Herredømme DIGI-CD

Black Metal

Reigning in an abysmal realm of chaos and destruction comes the reigniting of a familiar entity’s flame. A true symbol of devotion to Lo-fi black metal is being displayed by this entity obscured by a void of darkness. OLD CASTLES fades into the shadows with another release full of chaos and atmosphere. “Sarcophagical Lament of the Past” is the next full-length offering from this project of mysticism. Lo-fi raw black metal with depressive ambience, shrouded in atmosphere and walls of sinister dissonance. A true imprecation of indefinite evil and desolation.

Black Metal

Resembling an ancient agony, in eternal dying splendor, these entities have crossed the southern night skies to recite a work entitled “Ensomhet” one of the ancient passages adorned with darkness and cruelty. This opus to the ancient ones hovers over the distant eyes of the great black dragon, the eternal poisonous sleep of the gods exalted in cold cacophonous stormwinds, each of the orchestrations constitutes the black spell of the primordial realms and the majestic countenance, of vitrified prayers beyond from the southern mountains eroded and sunken by fate, where primitive man completed his transmigration in the mysteries and secrets of possession…

Black Metal

Track 1 taken from the forthcoming full-length “The Nighthold”.

Tracks 2-3 originally released as ‘The Glory of Eternal night’ 7″ in 2017.

Black Metal

Truly, the evidence is there with SORGETID’s first public recording, the full-length Natt av Tusen Dödsfall. Endearingly and engagingly familiar yet done with the deft nous for which V-Khaoz is known, SORGETID’s first salvo is based purely on intuition and the man’s need “to get quite old stuff out of my head – no future, no past.” Existing within those reverently stringent boundaries, Natt av Tusen Dödsfall unveils a landscape rife with melancholy and madness, nostalgia and nightsky mysticism, fury and wonder woven together with elder chainmail forged in the fires of olde. Eight songs across 37 minutes are more than sufficient to paint the atmospheres and sensations that seemingly exist out of time. The album’s no less raw nor polished than it needs to be; rather, it IS, unyielding and undying.

Black Metal

“Vestiges Engraved in Frozen Mysticism” is the fifth album or “rotten sphere” that this bloody legion emanates from the mystical Valdivian landscape, with an enriching and powerful story behind this necro/masterful work, characterized by its own sound that perfectly adheres to the classic roots of the 90s. Paying a solemn tribute to the spirit of Kaldrad in one of his musical pieces, the mirrors of the past and paganism embodied in the compositional auræs.

Black Metal

Ulvmonddomānen stands on a crescent sound constant linking the old world to primordial forces and transformation, clothed in the shadows of the damned ancient shrines that once served in the wheel of the mystical world. This garment is constituted beyond the nocturnal veil of the lunar forces and traditional mythology, the diabolical appearance of the sacred mirrors of the underworld and the cathartic transformation of the Being into the fiery beast, dominated by the venomous intellect and the perpetual cold of distant lands. Each of the hymns-legends has an auræs of old grimoires haunted by the sinister veil of the fullmoon whispers, wrapped by a completely different revelations and much more complex devilish orchestration than the beginnings of “Stronghold of Majestic Ruins” a refined but powerful setting that highlights the glorious reflections of the time of past hordes. Ulvmonddomānen will be the next arcane appearance of the colossal cenotaph carved under the majestic immemorial realms.