Die Verbannten Kinder Evas (AUT) – Die Verbannten Kinder Evas DLP + DVD

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!

Industrial

Limited to 200 copies.

Black Metal

Negros Manifestos de Ordem Venusiana, a split LP presented on noble vinyl, to honor the ancient ways.

Indeed, both hordes wholly honor the ancient ways, and understandably are two of the mightiest and most respected hordes in Portugal’s nowadays raw black metal scene.

Negros Manifestos de Ordem Venusiana is something of an intergenerational pairing, however, as MONS VENERIS have been prolifically polluting the underground since 2003 while ORDEM SATANICA, by comparison, started their near-equally prolific onslaught in 2014.

Nevertheless, as representatives of the Portuguese Black Metal, here on Negros Manifestos de Ordem Venusiana do both hordes create provocative portrayals of their unique darkness and despair.

ORDEM SATANICA are on Side A and unfurl three haunting and medieval tracks, roaming the castle with that spectral rawness they’ve truly made their own the last few years.

MONS VENERIS are on Side B and offer an epic, side-long track that roams the rawest dungeons, spanning punkish bash and hypnotic hysteria alike, torrents of noise to ruin your soul.

Black Metal

After 2019’s well-received Endless Trails demo via SIGNAL REX, HOLLOW WOODS strike with a full-length debut fittingly titled Cold Winds Cleave the Earth. While hailing from Finland, this mysterious entity largely eschew their homeland’s reigning black metal idiom, instead taking influence from Ukraine (Roman Saenko’s projects), Norway (early Ulver, equally early Gorgoroth), and especially Russia (the Blazebirth Hall collective). In other words, pure & proud BLACK METAL, nevertheless done with personality and charisma.

Black Metal

Alias for Finnish black metal band Beherit.

The 1991 EP available again on LP.

Black Metal

By now, IRAE should require little introduction. Since the dawn of this cursed millennium, mainman Vulturius has prolifically pursued a singular vision of RAW BLACK METAL that includes four full-lengths and countless split releases with likeminded comrades. As such, IRAE have almost singlehandedly invigorated Portugal’s black metal scene, particularly the rawer iteration of it, and more recently find themselves aligned with the elite Black Circle, alongside MONS VENERIS, VETALA, Decrepitude, and Rainha Cólera. Fans since the beginning, SIGNAL REX are honored to be aligned with Vulturius for IRAE’s long-awaited fifth album.