Black Metal

“Sorcier Des Glaces’ second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It’s no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

Black Metal

New LP edition of the full-length from 1998 .
Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night’s throne.

Black Metal

This monument of misanthropy was created, carved and crystallized during many nights, Anno MMXVII & MMXVIII at Hell Studio, Québec.
It reflects all the hate and disgust Sorcier Des Glaces has for the human race. This cold and desolate journey should be most experienced done in the dark, with only the feeble light of a chandelier. No keyboards were used on this whole sound capture, all the ice-layers were executed with REAL instruments.

Black Metal

Truly, the evidence is there with SORGETID’s first public recording, the full-length Natt av Tusen Dödsfall. Endearingly and engagingly familiar yet done with the deft nous for which V-Khaoz is known, SORGETID’s first salvo is based purely on intuition and the man’s need “to get quite old stuff out of my head – no future, no past.” Existing within those reverently stringent boundaries, Natt av Tusen Dödsfall unveils a landscape rife with melancholy and madness, nostalgia and nightsky mysticism, fury and wonder woven together with elder chainmail forged in the fires of olde. Eight songs across 37 minutes are more than sufficient to paint the atmospheres and sensations that seemingly exist out of time. The album’s no less raw nor polished than it needs to be; rather, it IS, unyielding and undying.

Black Metal

The side project of Ildjarn available again on LP.

Originally released in 1996.

Black Metal

Housed in a double sided fold-over jacket with logo sticker on the outer plastic sleeve

“Composted between 1999/2020. Recorded in 2021”

Black Metal

Now, to round out the ruinous year of 2022, it is here, bearing the title Requiem. Indeed something of a lament, feeling fixed and finite, SPECTRAL CORRUPTION’s latest full-length bristles with a despair that can only suggest infinite misery, malodorous and miasmic: a vacuum of violence where melodic/majestic riffing gets broken down and blown out. Mainman Verminitar (also of Cryptic Vampire and Spheral Void) howls into that vacuum, drunk on his own power/misery but drowning within it all the same. That he ends the album with a Lamp of Murmuur cover indeed underlines SPECTRAL CORRUPTION’s place within this uprising of modern RAW black metal.

Black Metal

LP re-issue of SPECTRAL WOUND’s 2018 album “Infernal Decadence” initially released by Vendetta Records, now re-issued by the band’s current label Profound Lore Records and available once again in physical LP format with expanded packaging: gatefold jacket with foil printing, a 12-page A5 booklet, and a fold out poster.

Black Metal

Legendary debut album, conceived as a collection of previously edited songs and new recordings. Drenched in atmosphere and mysticism “Magnificat” comes in a re-designed version divided in a double cd and lp, dividing the songs in different eras.