Black Metal

Both bands feature two tracks each, Taake with an exclusive track plus a cover of none other than Sisters of Mercy. Whoredom Rife continues to trample down the classic Norwegian Black Metal-path, delivering two exclusive tracks which will make you taste the Norwegian mountains and fjords through violent Black Metal of the highest order.

Black Metal

Taranis and Urtod Void have signed a covenant on the 30th anniversary of “Faust”, to seal an exceptional reissue of this legendary album. After the mysterious end of the band, many questions remained unanswered. Aside from what exactly was responsible for the ending (at this point we would recommend the book “Rzeźpospolita” by Piotr Dorosiński, you will definitely find some answers to your questions there), many are wondering when Faust will receive its well-deserved reissue. For everyone who is not familiar with this album, prepare for a somewhat more developed work, even a concept album that is divided into two parts (plays). These two parts “Waltz Mephistoph” and “Balneum Diaboli” are about a psychodramatic act with Faust and Mephisto, which was presented just too brilliantly by the band, not only musically but also lyrically and artistically. But convince yourself…

Black Metal

On a frosty night in February 1991 a band was born in the once secret and mystical underground of Poland. A band which, albeit existing for a mere few years, would create a masterpiece of Polish underground black metal. Taking their rightfull place in the history of the genre, Taranis are now considered to be pioneers of Polish Black Metal along with acts such as Xantotol, Christ Agony, Graveland and Behemoth. Where as other bands of the scene would take inspiration from Rotting Christ, Sarcófago or Bathory, Taranis instead took their source of inspiration from the works of Swiss black metal act Samael and the dark poetic art of Polish writer and practitioner of gnostic mysticism, Tadeusz Miciński. Devoting the entirety of “The Obscurity” to Miciński and all those following a similar path of dark arts and mysteries, the time has come to let this darkness blossom again.

Black Metal

On a frosty night in February 1991 a band was born in the once secret and mystical underground of Poland. A band which, albeit existing for a mere few years, would create a masterpiece of Polish underground black metal. Taking their rightfull place in the history of the genre, Taranis are now considered to be pioneers of Polish Black Metal along with acts such as Xantotol, Christ Agony, Graveland and Behemoth. Where as other bands of the scene would take inspiration from Rotting Christ, Sarcófago or Bathory, Taranis instead took their source of inspiration from the works of Swiss black metal act Samael and the dark poetic art of Polish writer and practitioner of gnostic mysticism, Tadeusz Miciński. Devoting the entirety of “The Obscurity” to Miciński and all those following a similar path of dark arts and mysteries, the time has come to let this darkness blossom again.

Hardcore

After almost two decades, this masterpiece by NSHC is released on vinyl for the first time.

Comes in double cover printed on fine paper.

Hardcore

After almost two decades, this masterpiece by NSHC is released on vinyl for the first time.

Comes in double cover printed on fine paper.

Hardcore

After almost two decades, this masterpiece by NSHC is released on vinyl for the first time.

Comes in double cover printed on fine paper.

Black Metal

Alpha and Omega were written and recorded between 2019 and 2021.
Recorded and mixed at Alpemadre Studio
Guitar on “Fecondazione” recorded at BadRum Studio by Dux

Neofolk / Acoustic

Merely eight months after their recent studio album ‘Maaäet’, Tenhi present the piano-dominated ‘Airut:Aamujen’, the next chapter in the band’s own ‘Airut’ saga in autumn 2006. The album is the sequel to Tenhi’s ‘Airut:Ciwi’ EP (2001), especially to the track ‘Kielo’. It was originally released in a small limited edition through Tenhi’s own Utustudio label in December 2004 under the name Harmaa.

Neofolk

There have been comfortingly few changes in Tenhi since their last album “Väre”; this Finnish band is still performing its unique brand of nature music, music that is above all atmospheric and touching.
But there’s a lot more to it: for years now, the musicians have been stressing the meaning of the aesthetics beyond their compositions, as Tenhi is meant to be a reflection of their sensitive perception of
nature, not only in sound, but also in lyrics and pictures.
Musically, vocals, piano, and violin are clearly mixed to the fore, giving “Maaäet” a more immediate expression. This
picturesque character is mirrored in symbolic images that have been
specifically created for the twelve new tracks, adding a fairy-tale quality
to the whole work of art.