| Weight | 0.5 kg |
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Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.
Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.
Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.
Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.
Exclusive import from Goatowarex (CHINA).
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With their groundbreaking debut album, Bethlehem gave name to an entire genre: “Dark Metal”.
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In the womb of one of the secrets of time lies an inalienable resonance between the roots of man and his history cognizance. Oftenly, the seeking of an endless spirit endowment engulfs him with a veil of barren knowledge, that commonly ties his thoughts and reflections to the boundaries of an ordinary living, dragged by a flux of invisible strands that may craft a path leading nowhere. Sometimes, this delivers into a self-inducted catharsis where the glorious pursuit of ancient trails in own’s blood turns imperative. Despite it being minimum or gigantic. Pure as a child’s heart or intertwined as a chimera. This seed is what made man within and not without. Empowering him to step above all his previous versions yet giving birth to what will become his spiritform.
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The awaited return of the United States Raw Black Metal entity VAMPIRSKA is spearheaded by the unveiling of “Torturous Omens of Blood and Candlewax” re-issued for the first time by INFERNA PROFUNDUS RECORDS.
“Torturous Omens of Blood and Candlewax” is the debut LP of Raw Black Metal entity VAMPIRSKA, who has established itself as a titan among the scene of this Lo-Fi and enchanting style of black metal. Originally released in Autumn 2020, “Torturous Omens of Blood and Candlewax” pushed VAMPIRSKA into the eyes of many after a large release on CS, CD and LP format. Six tracks with a consistent blend of furious, depressive, and elegant melodies carried into existence with punishing drumming.
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Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!
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The killer split available on limited LP.
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Producto de conspiración con el nuevo sello chileno Templo del Sol Muerto, traemos ante ustedes el trabajo debut de este joven proyecto del sur de Chile.
Caracterizado por ejecutar un Black Metal con sonido un tanto diferente a lo acostumbrado por estos lados del orbe: ritmos a medio tiempo, voces desgarradas, atmósfera medieval, cruda y melancólica, Kerasfóra nace desde los místicos vientos del sur para entregarnos cuatro tracks llenos de solemne oscuridad.
Dejamos el track promocional ‘Night’s Symbol’, para que se sumergan bajo el manto de la noche y esperen la llegada a este plano de esta nueva banda que de seguro nos seguirá hipnotizando.
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Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.
Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!
For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!
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The last full-length of this Canadian act available for the first time on LP.
Exclusive import from Livor Mortis (Finland).
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