Duivelsgrot (NLD) – The Inability To Kill Myself, Because I Am Immortal, Depresses Me LP

Doom Metal

All copies pressed on a sort of marbled mauve-coloured vinyl, with few colour-variations due to pressing on vinyl leftovers. Comes with a 4-page A5 booklet with Roadburn poster/info.

Live recording from the Roadburn Festival in Tilburg, The Netherlands on April 15th 2011.

Black Metal

Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.

Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.

Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.

Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.

Exclusive import from Goatowarex (CHINA).

Black Metal

Limited 200 copies.

Black Metal

RUTTOKOSMOS are one of the great “what if?”s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared and played pseudonymously in other bands.

Black Metal

The 2018 full-length available on LP

Exclusive import from Livor Mortis (Finland).

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!