| Weight | 0.5 kg |
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Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!
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One of the most accomplished newcomers Signal Rex has come across in recent years, the shadowy entity of Valais burst from the voidal womb fully formed in the middle of 2021 with their self-titled debut album. Despite existing in the vast (and vastly inconsistent) wilderness of Bandcamp, Valais in fact imparted a power and poignancy that takes most bands at least a couple records to reach, if at all. Both classically composed and forward-thinking, Valais understood right from the start the core tenets of true black metal, but equally understood how to inject their own personality and poise into such to create something that adds to the language of BLACK METAL rather than mimics its speech patterns (and sloppily so).
No, Valais as a work is a towering monument of tension and release, skillful contours and subtle dynamics, richly malevolent melody and slipstreaming violence. Aesthetic touchstones include the likes of Slidhr, latter-day Leviathan, and even Blut Aus Nord at their wiliest, but Valais also exhibit an understated sense of the pagan – perhaps stemming from their native Ireland, or perhaps from some strange cosmos far beyond our comprehension… Either way, all of this coalesces into a whilrlwinding five-song/37-minute experience that feels far vaster than that succinct runtime otherwise suggests. As such, Signal Rex is honored to rightfully release this tome in all physical formats.
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Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.
Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.
Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.
Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.
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Live recording from the Roadburn Festival in Tilburg, The Netherlands on April 15th 2011.
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An establishment of new sounds, and an extension of familiar sounds, “Vermillion Apparitions Frozen in Chimera Twilight” is VAMPIRSKA at it’s strongest and most enchanting. Six tracks that stylistically expand on what was previously known to be the VAMPIRSKA sound, redefined into darkness with an all-destroying ritual for the supernatural devastation that captures the unfamiliar essence of the entity. VAMPIRSKA reignites the black flame to burn stronger than ever with its most deadly display of black metal carnage to date.
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Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.
Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!
For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!
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