Arghoslent (USA) – Galloping Through the Battleruins DLP

Black Metal

Limited 200 copies.

Black Metal

Two great bands together in a covenant of Black Metal, each one parading its unique approach and both building a strong split, a brilliant release.

Black Metal

Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.

Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.

Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.

Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.

Exclusive import from Goatowarex (CHINA).

Black Metal

Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.

Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!

For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!

Industrial

Limited to 200 copies.

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!