Black Metal

Limited to 200 copies on Red Vinyl.

Black Metal

German cult band. The double vinyl re-release of the first album. With 2 bonus tracks.

Black Metal

Originally released in the autumn of 2005, of DARK FUNERAL’s fourth album, Attera Totus Sanctus, was arguably the band’s fastest and fiercest record ever – which is all the more remarkable given the band’s longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that’s black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL’s inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Black Metal

Alongside contemporaries Dissection and Marduk, DARK FUNERAL are among the most important Swedish black metal bands ever. In fact, when one merely mentions the phrase “Swedish black metal,” thoughts immediately turn to their name: since their formation in 1993, DARK FUNERAL quickly came to define the shocking sound of cryogenic melody and cruelly blasting fury. Though their six albums to date have been patiently parceled out over a considerable amount of time, their works endure to this day and have influenced countless bands over the past 20 years.

Originally released in early 1996 on the pivotal No Fashion label, DARK FUNERAL’s debut album,The Secrets of the Black Arts, was an incredibly powerful first full-length statement. From its iconic cover art on down to the sharp, powerful production by Peter Tägtren at Abyss Studios, it could be easily argued thatThe Secrets of the Black Arts was THE defining record of ’96, when black metal was climbing out of its sensational days and etching a new language into the wider metal landscape. DARK FUNERAL were there, armed with an arsenal that was shockingly fast yet still exceptionally memorable. Even with all that blastbeaten aggression, there still existed a wealth of atmosphere to the album, proving that the band were no one-trick ponies.

Black Metal

Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL’s second album, Vobiscum Satanas, consolidated the strengths of the band’s classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.

Death Metal

In 1991, Dark Opera was formed in Łódź, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Łomża. The following April, Dark Opera recorded its first demo, “The Day of Pariah,” at Ariadna Studio in Łódź. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, “Calling the Legend,” in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.

Death / Doom Metal

In 1991, Dark Opera was formed in Łódź, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Łomża. The following April, Dark Opera recorded its first demo, “The Day of Pariah,” at Ariadna Studio in Łódź. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, “Calling the Legend,” in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.

Dark Ambient

‘Iterum’ comes with one more song than the digital ep: “Loin de Moi” (exclusive to the physical release).

It will be a one-off press and limited to 500 copies (numbered)

Black Metal

With a beautiful layout by Romain Lupino.

Black Metal

Epic/Folk Black metal from Kyrgyzstan

Cosmic Black Metal

Black vinyl in an embossed gatefold cover.