Black Metal

The cult LP from 1994 available again.

Re-issue under gatefold cover 350gram, 180gram violet vinyl.

Black Metal

Moonblood’s first ever Reh/Demo from early 1994, professionally restored from the original tape and specially mastered for LP.

Available for the first time on quality gatefold DLP.

Black Metal

At long last, the full fathom of MOONCITADEL’s now-transcendent powers arrives with the band’s long-awaited debut album, Night’s Scarlet Symphonies. If past MOONCITADEL recordings bore titles evocative of their respective contents, then surely Night’s Scarlet Symphonies trumps them all: here is a bountiful feast of splendorous, widescreen black metal mysticism that’s reverent of the mid ’90s whilst channeling energies new and untold. Everything about MOONCITADEL’s debut album – spiraling melodicism, folkloric atmosphere, impassioned performance, engrossing totality – maximizes the duo’s previous works to their fullest potential, all threaded together by a never-too-raw soundfield that heightens these elements further. Which is to say nothing of its attendant song titles; over the course of its impossibly vast 47-minute runtime, some of Night’s Scarlet Symphonies include “Ablaze My Heart With Falling Stars,” “Nightwind was the Passage Between Worlds,” “Whispering Cry of Magick Undying,” and especially “Monumental Silver Thorns” all conveying this (monumental, silvery, magickal) headspace.

Dungeon Synth

Third part of the castle trilogy. New full-length.

Dungeon Synth

Cult project. LP compiling The Golden Temple Of Onoskelis (1997) and The Hecate Prophecies In Your Cold Throne (1997)

Limited to an undisclosed number of copies. Includes a 24 pg. booklet and 70x50cm poster (there are two poster design randomly distributed among the copies).

Black Metal

Behind the bloodshed and chaos wrought by the might of the aggressors, a single man brings forth an unprecedented plan to defend native land not just for one nation, but for all. Tecumseh’s War presents the events leading to his death–the influence of Tenskwatawa, the British alliance and, most importantly, the formation of the largest native Confederacy in modern memory. Eight tracks of woodlands warfare in the name of sovereignty! IN SOLIDARITY, IN WAR! LONG LIVE TECUMSEH!

Black Metal

Truly, the evidence is there with SORGETID’s first public recording, the full-length Natt av Tusen Dödsfall. Endearingly and engagingly familiar yet done with the deft nous for which V-Khaoz is known, SORGETID’s first salvo is based purely on intuition and the man’s need “to get quite old stuff out of my head – no future, no past.” Existing within those reverently stringent boundaries, Natt av Tusen Dödsfall unveils a landscape rife with melancholy and madness, nostalgia and nightsky mysticism, fury and wonder woven together with elder chainmail forged in the fires of olde. Eight songs across 37 minutes are more than sufficient to paint the atmospheres and sensations that seemingly exist out of time. The album’s no less raw nor polished than it needs to be; rather, it IS, unyielding and undying.

Black Metal

Ten new Walpurgis black metal spells that continue the band’s trademark sound; fusing filthy, rustic black metal conjurations and occasional folk instrumentation. A ferocious array of piercing riffs, marching percussions and tortured howls, Ungfell`s second full-length presents Helvetic black metal deeply rooted in medieval lore and tales of pestilent witchcraft.

Housed in a gatefold jacket. Comes with poster and download card.

Black Metal

An establishment of new sounds, and an extension of familiar sounds, “Vermillion Apparitions Frozen in Chimera Twilight” is VAMPIRSKA at it’s strongest and most enchanting. Six tracks that stylistically expand on what was previously known to be the VAMPIRSKA sound, redefined into darkness with an all-destroying ritual for the supernatural devastation that captures the unfamiliar essence of the entity. VAMPIRSKA reignites the black flame to burn stronger than ever with its most deadly display of black metal carnage to date.

Black Metal

A split between the most known acts in the underground scene.

Quality gatefold with etchting on D side.

Black Metal

The bats having flown the belfry, YMIR continue their pillage of the present with the second album Aeons of Sorrow. Driving deeper into the past, Vrasjarn unfurls a comparatively more melodic and nuanced record that’s icier and, daresay, more beautiful. Here, he’s joined by the always-commanding presence of Corvus on vocals and prolific veteran drummer VnoM, with bass by True Black Dawn’s Syphon and additional synths by Tyranny’s Agathul – a crucial component of the mesmerizing tapestry of Aeons of Sorrow. To step into the album’s landscape is to imbue the spiritual essence, the psychic sensations, the all-enveloping ATMOSPHERE of 1995. Quiet castles, ice-capped mountains, beastly blizzards, infinite darkness, capes and swords and chainmail: while seemingly innocuous “triggers” for those who don’t breathe that essence – or worse, mere items of mockery – they serve as the textural touchstones for bands like YMIR and records like Aeons of Sorrow, both in increasingly short supply no matter what the internet might tell you. And yet, with the skillfully unselfconscious songwriting on display here, the album adds to that noble tradition rather than listlessly pecking at its remains.