Black Metal

Nokturnal Mortum strikes from the past with their monumental album “Weltanschauung”.

Originally released in 2005, this opus seamlessly blends elements of black metal, folk and epic symphonic music.

With 14 powerful tracks that transport the listener into a world of myths, legends and heroic events, “Weltanschauung” remains a great and unique journey.

Black Metal

After Dormant for 13 years Nokturne “Embracer of Dark Ages” is remastered and edited in March 2014 at the Werwolf Bunker Studio by guitarist Kaiser Drakon for Lower Silesian Stronghold True Underground Production 2014.
* 9 is bonus-track.

Nokturne “Embracer of Dark Ages” was recorded and mixed in Whittier, California in November/December of 1999 and officially released in July 2001.
All music performed by Nokturne 1999 line-up, songs & lyrics written by Kaiser Drakon.

Black Metal / Dark Ambient

The return of the Bosnian darkness. Extended EP.

Black Metal

Odium is a name that hasn’t been talked about much in the symphonic black metal scene. Formed in 1994, the Norwegian band didn’t release much besides a demo, a single, and their only studio album “The Sad Realm of the Stars”. The 1998 album received little recognition when it was first released since it was seen as more of a Limbonic Art knockoff. However, when you give the album a listen, you’ll see that it’s more than just a cheap ripoff of Limbonic Art. Not only does it expand upon the Limbonic Art sound, but it also stands out in its own ways.

Black Metal

By now, OFERMOD should require no introduction. Formed back in the dark days of 1996, the band released their debut EP, Mystérion Tés Anomias, in 1998. Although a mere two songs, OFERMOD’s opening salvo sowed the seeds for the orthodox black metal movement that would begin to blossom in the new millennium, alongside fellow SHADOW RECORDS alumni FUNERAL MIST and MALIGN. Crime and chaos followed mainman Belfagor everywhere he went, and the band’s momentum remained halted. However, OFERMOD eventually became a working entity again, starting with 2008’s Tiamtü full-length, and through magick and will did more recordings follow: Thaumiel (2012), the two-song Serpents’ Dance EP (2014), Sol Nox (2017), and the posthumous Pentagrammaton, originally intended to be the band’s debut album. Each one put forth a pivotal piece of the ever-evolving puzzle of OFERMOD – ever the same, yet always different.

Black Metal

Two of the majestic forces within the circle set off on a sinister dark journey down the malicious path, perpetuating an opening that slides deep into various pagan platitudes, mysticism and misanthropy. The macabre act devoted to these two pieces of raw black metal/sinister omens, was revealed in an incandescent act of absolute solemnity towards funerary art, pagan works and the putrescence of evil… both works achieved in a semi-rehearsal type quality that provide an overwhelming musical performance soured with the demonic poison that they recite in each of the death hymns.

Black Metal

The 1997 full-length available again on CD.

Comes with original cover artwork, refreshed layout, and for the first time properly crediting Aldrahn, one of the masterminds behind this black metal pillar. The most complete version to date!

Dungeon Synth

Third part of the castle trilogy. New full-length.

Dungeon Synth

The third album by the enigmatic Old Tower titled “The Last Eidolon” tells a sombre story of a kingdom laid to waste by its own creator through the corruption of dark magic and possession of destructive spirits. Because of wrongful decisions, spiritual rebellion and the misuse of ancient yet dangerous practices these malevolent forces started to turn against the enchanter. And so fell his once proud and powerful dominion. What was once great has now been reduced to a hollow manifestation of its old self. The long and weary process of reclaiming its former glory has begun…

Throughout the “Grim Alchemy” trilogy, smithed in conspiracy with the mighty Hospital Productions, The Specter meticulously crafted his own style of medieval dark ambient. “The Last Eidolon” is an elongation but also a new direction of this concept and will take the listener on a desolate journey spanning three, long chapters. Faded memories of a dark past will shimmer in and out of existence throughout these epic compositions yet the energy of renewal is flowing from the fountains of the old kingdom.

Dungeon Synth

A sinister blend of past, present and future old tower atmospheres, instrumentation and some seductively destructive surprises secure a place in the canon of dark music. The travels of the dragon’s disciples have taken them to vast forests of mystery and sombre castles hidden away between the stars and celestial mysteries. There was much to unravel that which was learned during these excursions into the dark and the first of veils has been lifted, giving an entrance into the complex mind of the horned serpent.

Black Metal

Emerging from the un-silent crypt, after over a year of strife and plague, Oppressive Descent unleashes the new full length LP, “Spite Is My Scepter, Blood Is My Crown”. Eight new hymns of grim hostility, longing for the cold reaches of eternity and the grisly battles of the past. This new offering encapsulates all the hallmarks of previous Oppressive Descent releases, while building on the grandeur and desolation that Grond Nefarious has invoked through the years. There is no reprieve from the chilling contempt contained within these sonic chambers, yet one will ultimately find the true catharsis in the exaltation of death which is thus brought forth. Desperate, yet triumphant are these chants of the night. Freezing and forlorn, as they herald the winds of war.