Dark Ambient

Orginial tracks released by Ravenheart Productions in 2005.

Comes in a 4-panel Digipak, limited to 500 copies.

Black Metal

Misanthropic Black Metal from Germany

Black Metal

Alongside contemporaries Dissection and Marduk, DARK FUNERAL are among the most important Swedish black metal bands ever. In fact, when one merely mentions the phrase “Swedish black metal,” thoughts immediately turn to their name: since their formation in 1993, DARK FUNERAL quickly came to define the shocking sound of cryogenic melody and cruelly blasting fury. Though their six albums to date have been patiently parceled out over a considerable amount of time, their works endure to this day and have influenced countless bands over the past 20 years.

Originally released in early 1996 on the pivotal No Fashion label, DARK FUNERAL’s debut album,The Secrets of the Black Arts, was an incredibly powerful first full-length statement. From its iconic cover art on down to the sharp, powerful production by Peter Tägtren at Abyss Studios, it could be easily argued thatThe Secrets of the Black Arts was THE defining record of ’96, when black metal was climbing out of its sensational days and etching a new language into the wider metal landscape. DARK FUNERAL were there, armed with an arsenal that was shockingly fast yet still exceptionally memorable. Even with all that blastbeaten aggression, there still existed a wealth of atmosphere to the album, proving that the band were no one-trick ponies.

Black Metal

New graphic design, limited to 500 copies.

Recorded during some cold nights of 2015.

Black Metal

W.A.R. on this release stands for “We Are Racist”, which is also the name of the song by the same name on this record as written in the booklet.

Black Metal

Recorded February/April 1994 at Necrohell Studios.

Black Metal

Limited to 500 copies.

Black Metal

Stand witness to The Long Defeat! Hearken to the first emanation of the third era of DEATHSPELL OMEGA; forty-four minutes of Black Metal enacted through five instalments. Recorded live by the French power trio in July 2021. Bile and venom distilled and added until the leaves fell.

“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.

4 panel digipak, 32 page booklet.

Black Metal

Raw & melancholic black metal, unleashed from the Cercle Mortuaire de France.

Black Metal

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. Napoleon’s coronation—the Anti-Christ’s ascent—left the earth damp with the crimson blood of elitism.

Black Metal

With their second album, “Satan Soldier of Fortune”, Departure Chandelier weave in reverse order the process of Napoleonic battlefield cleanup against self-coronation and the emperor’s ascent to deity whom profited off the fallen of both sides. While the dying are stripped naked to fertilize the countryside, boots and teeth are hurriedly taken for sale in Paris. Blood soaked coins fill the grave robber’s purse, the jangling song heard all the way to Notre Dame. Against the backdrop of the throne Illuminated by the bivouac fires, fallen men, horses and cannon wagons churn like twisted celtic knots across the sea of the battlefield as the coronation begins. Dressed in the gown of swarming Merovingian bees, a wreath of laurel arched above his skull, the Regent diamond flashes in the hilt of the Antichrist’s saber encrusted on the gold scepter – rising in his hand, yet unable to support the weight of Charlemagne’s crown. What is dark if Lucifer’s light? Compositionally wild but rich in melody, the band’s unique combination of perched guitars and impending choral keyboards beneath raw unhinged vocals spearheading lyrics of existential rebellion captures the necro sound of old French black metal. The arrangements are shorn of needless complexity, yet greater than the sum of their parts purportedly recorded on the same 4-track with the old distortions and synths used on ‘Antichrist Rise To Power’ now immortalized on their Occult Anti-quities imprint. Indeed, nearly five years in the making, Their Death Is Alive Again!

Black Metal / Dungeon Synth

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.