Black Metal

Formed in 2011 in WEREWOLF’s home of Lappeenranta, 2 WOLVES are one of Finnish metal’s best-kept secrets. Through the prolific Inverse Records, the band have released four full-lengths since their year of formation, finessing a classics-minded gothic doom-death sound. With no hint of irony, 2 WOLVES evoke a rich nostalgia for the ’90s, which is a major reason why WEREWOLF surprisingly have made a blood pact with the band for the release of their fifth album (and first in five years), Not Worth It.

Black Metal

Finally available on Cd, in limited edition Digipak to 300 copies, “Sult” (2022) debut album by the unknown artist Demian through his creature A DIFFERENT CLOUD.

An authentic gem of Atmospheric Black Metal full of sadness, sorrow melodies and cold atmospheres. A superb listening experience of pure dark art.

Black Metal

Finally available on Cd, in limited edition Digipak to 300 copies, “Vardøger ” (2022) second album by the unknown artist Demian through his creature A DIFFERENT CLOUD.

An authentic gem of Atmospheric Black Metal full of sadness, sorrow melodies and cold atmospheres. A superb listening experience of pure dark art.

Black Metal

The year is 1997, the deviant trinity is made up of Equitant, Proscriptor and Shaftiel and therefore, the recording is called The Third Storm Of Cythrául. Osmose Productions is pleased to revive Absu’s third, most blackened thrash record to date. Originally released in 1997, this repressing is exposed as the “2013 Alternate Stereo Mix Edition,” which was remixed by both Proscriptor and J.T. Longoria (King Diamond, Solitude Aeternus, Etc

Black Metal

Limited Edition of 666 hand-numbered copies.

Reissue of two demos (“Depression” and “Life Is A Pain In The Neck”).

Black Metal

Rare CD compiling Eternal Damnation MCD and unreleased tracks.

Original No Colours press! No cheap reissue from DtB

Black Metal

2016 Demo album.

Recorded in the Eerie Silence of the Forgotten Lair during Spring MMXVI.

Black Metal

Compilation of all previous Aiqëhahirit material.

Professionally manufactured jewel case CD.

Limited to 100 copies.

Black Metal

Total of nine tracks, aprox. 40min of pure and raw underground black metal hailing from the depths of the Ecuatorian catacombs.

Black Metal

The second album by the pioneers of post-black metal

Three years after their genre-defining record “Souvenirs D’un Autre Monde”, Alcest return to the sound of black metal on their sophomore “Écailles De Lune”, but without forgetting any of their trademarks: calm passages, massive slabs of guitars, catchy melodies, and hook-lines going straight to the heart. “This time I was especially inspired by the seaside, the energy and the exaltation you can feel when you sit in front of the sea at night,” Neige tries to describe the album’s atmosphere. “It appears terribly fascinating, full of secrets and scary at the same time.”

Black Metal

Released in 2007, Alcest’s debut album, “Souvenirs d’un autre monde”, marks the starting point of the band’s extraordinary career.

With the release of “Souvenirs d’un autre monde”, Alcest mastermind Neige forged a luminous new sound that floats on the fringes of metal, yet incorporates emotions of euphoria, bliss and nostalgia. The singer and multi-instrumentalist dedicated the album to his childhood memories of experiences in a spiritual otherworld; personal themes that would become conceptual cornerstones of subsequent Alcest albums.

“Souvenirs…” became known as one of the fundamental releases of the Blackgaze / Post-Black Metal genre, a record that continually influences countless other bands in its wake, and was selected by Pitchfork as one of its “50 Best Shoegaze Albums of All Time”.

Black Metal

Released in 1995 by the pivotal Full Moon Productions, Oimai Algeiu was underground black metal for underground black metallers. Not kowtowing to increasingly trendy Scandinavian sounds, no “romance” or gothic or vampires, and definitely no mosh nor no fun: ALGAION here created a surging and windswept landscape on which to paint dark desires and honor that Hellenic pantheon. It was a raw landscape, to be sure, but one contemporaneous with their Greek brethren and duly emitting a perhaps-colder atmosphere than the duskiness usually associated with that scene. However, above all, it was the songwriting itself which put Oimai Algeiou amongst that hallowed company, pulsing with a simple-yet-sublime melodicism and never-forgotten heavy metal spirit, all dusted with just the right amount of melancholy and the subtlest hint of synth.