Black Metal

LLN cult material.

Feast demo (tracks 1 to 6 ):
Recorded on 4 tracks in 07/1995 at Wlad’s place, Brest.
Digitized and remastered from a 1st gen copy in 09/2018 by Wlad.

Black Metal

Re-envisioned, re-ensorcelled, and resurrected from the grave soil of Perth, Australia, rises those dual emanations of phantasmal possession, Desgranges & Black Putrescence, both of which have been under the power of the one known only as B.C since the earliest age of the 21st century of terror. Exhuming grimoires of old and dusting off those bloodstained pages of yore, B.C has taken two of his most powerful entities—those of the blackest raw dissonant sorcery—and delivered upon the mortal world a spell from each. So it should be fitting then that the iron tomb tower of GoatowaRex filth rot worship brings these two spells of ancient stench to acolytes upon seven inches of sodomy, upon the raven of wax and blackest of vinyl.

Black / Trash Metal

With its previous releases from the likes of Reencarnación and Nemesis, Nuclear War Now! has demonstrated its affinity to the “Ultra Metal” scene that was endemic to the city of Medellín, Colombia in the late 1980s and early 1990s. This strain of unhinged fury was spawned by the great Parabellum, who is recognized as the first extreme metal band to emerge from Colombia and one of the first from the entire continent of South America. Upon Parabellum’s disbandment in 1986, the similarly-styled Blasfemia was born. Founded by two members of Parabellum, Ramón Restrepo (vocals / bass) and Jhon Jairo Martínez (guitars), Blasfemia sought to outdo the rawness and brutality of its predecessor in a sound that reflected the harsh reality of existence in a place ruled unofficially but unequivocally by the sinister hand of a powerful drug cartel. To execute this vision, the two founding members called upon the services of neighborhood friend and percussionist Luis Fernando Cano. Between 1986 and 1988, Blasfemia performed live a handful of times with bands such as Reencarnación, Nemesis, Astaroth, Profanación, Necromantie, Glöster Gladiattor, Necrofilia, and others. It also recorded several demo tracks and, most notably, a four-song EP entitled “Guerra Total.” The EP was released on 12-inch vinyl format in two separate iterations by two different entities in 1988. The more limited version was apparently pressed on only 100 copies and is identified by its gray center labels, but it was not fully endorsed by all members of the band. The other edition, which features red center labels and a secret needle mark, was pressed on 500 copies. Alternate versions of two previously-recorded tracks were also released on two different compilations in 1988 and 1989 before Blasfemia essentially disappeared until its reemergence in 2011.

RAC

Side A – Blood In The Face
Tracks 1&2 recorded in 2022
Tracks 3-6 – Beatdown Sounds Demo recorded 2010

Side B – White Wash
Tracks 1&2 – Unreleased 7″
Track 3 – Taken from the TX Oi-Core split
Track 4 – Corrected Version
Track 5&6 – Live in Florida 2003

Black Metal

Dark and relentless scent of true Black Metal.

Black Metal

The legendary “Memoria Vetusta I – Fathers Of The Icy Age” captures BLUT AUS NORD in the remarkable embryonic phase of an evolutionary process that would culminate in one of Black Metal’s great enigmas.

Finally released for the first time on vinyl with its original front cover, “Memoria Vetusta I – Fathers Of The Icy Age” is canonical primeval Black Metal from another age. Essential.

Pressed on black heavy vinyl. Comes with a 2-page insert, an A2 poster and a download card.