Shatargat (FIN) – Crushing The Thrones Of Light GREEN LP

Doom Metal

All copies pressed on a sort of marbled mauve-coloured vinyl, with few colour-variations due to pressing on vinyl leftovers. Comes with a 4-page A5 booklet with Roadburn poster/info.

Live recording from the Roadburn Festival in Tilburg, The Netherlands on April 15th 2011.

Black Metal

VzörbrëzV demo compilation, presented as a double LP by Altare.
Raw French Black Metal from the Garde Noire circle. Pure demented LLN worship and beyond…
Includes “Demo I”, “Pandemonic Radiance”, “Ascending the Black Throne of Depravation” and “Sacrificial Rites of Infernal Devastation”. Presented with a fold-out sleeve, limited to 200.

Black Metal

UK Black Metal act GLEMT brings forth their debut long play record entitled “Eclipsing Through The Womb Of Twilight And Dementia”. This album falls nothing short of pure audible chaos and insanity forcing the listener to become engulfed in the pure darkness of the void so they become an active participant in the rituals manifested through Glemt. Therefore this is more of a pact between the void and the forbidden, leaving no room for light or hope for all life.

This album was manifested through the will of tormented spirits that made themselves know through Magick and communication with the deceased. This, therefore, opens forth the Left-Hand Path and the bleak passageway into the utter blackness of deaths abyss past the point of no return, so that all forbidden truths are relieved.

Black Metal

The first full-length from 2017 available again on LP

Black Metal

Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.

Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!

For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!